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Tuesday, March 25, 2014

Midnight Hour, The (1985) (TV)

... aka: Creeps
... aka: In the Midnight Hour
... aka: Notte di Halloween, La (Halloween Night)

Directed by:
Jack Bender

It's Halloween in the small town of Pitchford Cove, Massachusetts. According to local legend, three-hundred years earlier, Lucinda Cavender, "one of the most powerful witches who ever lived," supposedly set free all of the demons from hell and awoke the dead in the process... until she was put in her place by "witchhunter general" Nathaniel Grenville. A group of high school students, among them Phil Grenville (Lee Montgomery), the great great great grandson of Nathaniel (and perhaps the hairiest-chested high school student ever to have lived) and Melissa Cavender (Shari Belafonte), the great great great granddaughter of Lucinda, decide to break into the town's witchcraft museum to steal vintage costumes for Melissa's party later that night. They, along with Melissa's boyfriend Vinnie (LeVar Burton), jock Mitch (Peter DeLuise, son of Dom) and Mary (Dedee Pfeiffer, sister of Michelle), who Phil has a major unrequited crush on, load up a bunch of stuff and take it to a cemetery. Inside a trunk they swiped, they find a ring and a parchment that appears to be written in blood. Lucinda reads it, and soon after they leave a curse is unleashed as all the denizens of the cemetery rise from their graves.








Among the resurrected creatures are a former serial killer, a werewolf, a slew of zombies and, of course, Lucinda herself (Jonelle Allen), a vampire-witch who can't wait to pick up right where she left off. Caught up in the mix is Sandy Matthews (Jonna Lee), the ghost of a cheerleader who died in 1959 and - dressed for the times and with lingo to match - now just wants to live free and fall in love while she still has a chance. Meanwhile, at Melissa's Halloween party, some of the zombies show and blend right in eating popcorn, laughing, dancing, drinking punch and even necking. Lucinda shows up, gets Melissa alone in the cellar and bites her while bottles spurt red wine in slow motion and "How Soon Is Now" plays on the soundtrack. Now a vampire herself, Melissa transforms Vinnie and so on until everyone at the party has joined the undead and are breaking out into a choreographed musical number ("Let's Get Dead") celebrating that fact. Thankfully for Phil, he left the party early on after being rejected by Mary and can avoid all that. He's even more fortunate to run across Sandy, who's not only good for a little back seat romance but also knows just what to do to save the town before the evil can completely take over.








The Midnight Hour made its prime time debut on ABC on November 1st with the tagline "Caution: Halloween didn't end last night!" I remember seeing it one time as a kid (in the early 90s) and loving it. That by itself was enough to make me go into this second viewing with apprehensions. After all, as adults we'll often re-visit the things we loved when we were younger just for the nostalgia factor only to ultimately walk away disappointed, scratching our heads and thinking, "I can't believe I used to like that." I figured this would be another of those cases. Surprisingly, it was not. This movie is still an absolute blast to watch, and with an HD transfer now on the market, the movie looks better than ever before. The makeups (from Tom Burman, Steve LaPorte and others) are actually quite outstanding for a TV movie, the acting is good, the plot is fun, the music is great and the movie affectionately captures the spirit of All Hallow's Eve, with trick-or-treaters running the streets, foggy cemeteries and even Wolfman Jack on the radio playing songs like Wilson Pickett's "The Midnight Hour" (of course), CCR's "Bad Moon Rising" and Sam the Sham and the Pharaohs' "Li'l Red Riding Hood." This is one of those rare genre movie with plenty for both parents and kids to enjoy, without the former having to worry about too much objectionable material.





Most of the cast is very good, but the standouts for me were Lee and Belafonte. Lee is highly amusing and quite wonderful in her role as the transported 50s teen out of her element and she and Montgomery even manage to make the doomed romance subplot - which really should have been extremely corny - oddly charming. Belafonte was 30 or 31 years old at the time she played this role of a high school student, but she certainly doesn't look it. Not only is she nice on the eyes, but she also sinks her teeth into her newly-transformed vampiress character; playing it with sultry enthusiasm to spare. Unfortunately, neither actress' career really amounted to much over the years.








There are numerous other familiar faces on hand. Cindy Morgan (from the 80s favorites Caddyshack and TRON) plays a hottie substitute teacher and the party chaperon. Kevin McCarthy, as a mean drunk judge, and Dick Van Patten, as a goofy dentist who doesn't like to administer Novocain before drilling, both get turned into zombies. Dennis Redfield is a tobacco-chewing hick who gets transformed into a werewolf, Kurtwood Smith and Hank Garrett are cops and comedian Mark Blankfield plays the main ghoul. This was also supposedly the film debut of Macaulay Culkin, though I don't recall seeing him anywhere (IMDb lists him as playing "Halloween Kid"). Director Bender also made Deadly Messages (1985), another made-for-TV horror film about a OUIJA board (which is seen on a theater marquee here) and Child's Play 3 (1991). He'd become better-known later on for his work on the hit TV show "Lost" (2004-2010).








Midnight received a video release from Vidmark and was later distributed on VHS and DVD by Anchor Bay here in America. In Germany it was called either Creeps or Halloween - Besuch aus dem Jenseits ("Halloween: Visitor from Beyond the Grave") and in Spain it was released as La noche del baile de medianoche ("Midnight Prom Night").

★★★

Monday, March 24, 2014

Celluloid Bloodbath: More Prevues from Hell (2012)

Directed by:
Jim Monaco
James F. Murray Jr.

The compilation tape MAD RON'S PREVUES FROM HELL - which broke up its exploitation and horror trailers (nearly all from the 60s and 70s) with dumb comic segments featuring ventriloquist Nick Pawlow and his zombie dummy Happy Goldsplatt - debuted on VHS in 1987. Since those were the pre-internet days and the only way to really view such trailers were on similar videos, the comp served a useful purpose in whetting the appetite of potential VHS renters / buyers and showing everyone just what was out there that they otherwise may not be aware of. But really, let's be honest here: These releases were primarily just a cheap and easy way to make money by adding minimal new footage to a bunch of preexisting footage and packaging it all as a "new" release. The first 'greatest hits' film of this type that I'm aware of is Richard Schickel's The Horror Show (1979), a theatrical release from MCA/Universal made right before the big home video boom of the 1980s. It was hosted by Anthony Perkins, featured clips from numerous classic horror films and promised audiences "60 magical years of movie monsters, madmen and other creatures of the night." Strangely, this feature has yet to make it out onto home video itself, but there were many others willing to essentially copy the same exact formula.

The Horror Show (1979) = The original horror compilation movie?

Charles Band's Wizard Video were the pioneers of these early home video releases. Their first was The Best of Sex and Violence (1981) hosted by John Carradine and with special appearances by sons David and Keith Carradine. It rented and sold well, so they then put together the Sybil Danning-hosted Famous T&A (1982), a collection of nude scenes featuring well-known actresses. To directly rope in the horror fans, Wizard then compiled Filmgore (1983) the following year, which was hosted by Elvira. A few years later came ZOMBIETHON (1986), which highlighted mostly Euro-sleaze / gore flicks. Rival companies also whipped up their own tapes. Cameron Mitchell hosted the Continental Video release TERROR ON TAPE (1983), which also featured future Scream Queen Michelle Bauer in an early appearance. Rhino video followed with Battle of the Bombs (1985) and their Sleazemania series (1985-1992). Then came Bad Girls in the Movies (1986), a Vestron / Lightning release; HORRIBLE HORROR (1986), a GoodTimes release hosted by John Zacherle; CREEPY CLASSICS (1987), a Fox Lorber release hosted by Vincent Price; DRIVE-IN MADNESS (1987), an Imagine Inc. release combining trailers with interviews, and numerous others. Not limited to just home video, some of these things actually played in theaters. The Paramount release IT CAME FROM HOLLYWOOD (1982) featured Dan Aykroyd, John Candy, Cheech & Chong and Gilda Radner making fun of bad / old movies and grossed 2.5 million on the big screen. The biggest success though was Universal's corny Terror in the Aisles (1984), hosted by Nancy Allen and Donald Pleasence, which managed to rake in a whopping 10 million dollars in theaters. That may not seem like a lot these days, but it was double what the likes of Once Upon a Time in America and This is Spinal Tap made in theaters the same year.








Flash-forward to 2012 and Celluloid Bloodbath; yet another compilation of recycled trailers from the same guys who'd made the aforementioned Mad Ron's Prevues 25 years earlier. One question instantly arises: Is there really even a point to something like this anymore? I'm not so sure I can answer that. Needless to say, it's not 1987 any longer and anyone can see these same trailers any time they want online for free. However, this is also completely harmless, put together fairly well for what it is, has the right upbeat attitude and is not at all difficult to sit through, even for someone like me who's already seen most of these trailers before. Unlike with the original Prevues, this time the makers have enlisted the services of numerous horror and B movie celebrities to help link everything together. Some offer brief insight into films they actually starred in, others talk about movies they enjoy watching and some appear to have been ambushed at conventions and memorabilia shows for the brief bits they provide here. Either way, they're effectively used to help break up the monotony of sitting through trailer after trailer.






The opening sequence is set in a movie theater and a projection booth and features actor Joe Zaso, Scream Queen Raine Brown and the zombie puppet Happy Goldsplatt (voiced by Pawlow) introducing "the greatest horror exploitation trailers ever shown." The film then places the trailers - all 60s and 70s films - into 16 different categories. Most of the time they fit but on a few occasions they just seem to be thrown in wherever because they didn't fit anywhere else. Everything's neatly linked up with title screens, which introduce each segment, and the participants are all adequately introduced so we know who they are and why they're here. Good thing, too, because I wouldn't know who half these people were otherwise and I'm pretty well versed in the genre. Since there's not a whole lot else to discuss, I'll break this down by category so you know exactly what you're getting with this one...






  • "Monsters," introduced by film historian Jack Polito. Trailers for The Twilight People (1972), FRANKENSTEIN'S BLOODY TERROR (1968), Baron Blood (1972), The Slime People (1963), They Came from Within (1975) introduced by Johnny Legend, the monster-free The Night Evelyn Came Out of the Grave (1971), Beast of the Yellow Night (1971) introduced by 42nd Street Pete and THE FLESH EATERS (1964). George Stover also says a few generic lines in a cemetery.
  • "Carnival Horrors," introduced by The Great American Odditorium barker / curator Professor Ouch. Trailers for the Carnival of Blood (1970) / Curse of the Headless Horseman (1974) double feature, BERSERK! (1967) and SHE FREAK (1967) introduced by Legend. 
  • "Supernatural Horrors," introduced by low budget actresses Amy Lynn Best and Sarah French. Trailers for THE EXORCIST (1973) and MEAT CLEAVER MASSACRE (1977).
  • "Really Bad Movie Prevues," introduced by Conrad Brooks. Trailers for THE WORM EATERS (1977), Monsters Crash the Pajama Party (1964) introduced by Cinema Wasteland convention promoted Ken KishThe Astro-Zombies (1967), MONSTER A GO-GO (1965) and LITTLE RED RIDING HOOD AND THE MONSTERS (1962).
  • "Vampire Horrors," introduced by Hammer actress Veronica Carlson. Trailers for THE WEREWOLF VS. THE VAMPIRE WOMAN (1971), House of Dark Shadows (1970) introduced by French and GRAVE OF THE VAMPIRE (1972) introduced by Kish.





  • "Blaxploitation Horrors," introduced by spokesmodel Jasmine Shields. Trailers for SUGAR HILL (1974), Alabama's Ghost (1973) and Scream Blacula Scream (1973).
  • "Madness," introduced by horror hostess Carmela Hayslett. Trailers for EYEBALL (1975), RABID (1977) introduced by film critic and author Irv SlifkinThe Fiendish Ghouls aka THE FLESH AND THE FIENDS (1960), DON'T LOOK IN THE BASEMENT (1973) introduced by horror hostess Reyna "Miss Misery" YoungMark of the Devil Part II (1973), the "whodunit and what did it?" double feature of The Black Belly of the Tarantula (1971) and THE WEEKEND MURDERS (1970) and THE BROTHERHOOD OF SATAN (1971).
  • "Promotional Gimmicks," introduced by Kish. Trailers for CHAMBER OF HORRORS (1966; fear flasher and horror horn), THE HORROR OF PARTY BEACH (1964; the first monster movie musical), Wicked Wicked (1973; split-screen "anamorphic duovision") introduced by Slifkin and Castle of Evil (1966; free funeral if you drop dead watching it).
  • "Body Parts That Kill," introduced by Mr. Dead Guy, the Dapper Cadaver (some well-spoken guy wearing a tux and skull mask). Trailers for Asylum (1972) and The Crawling Hand (1963).
  • "Psychos," introduced by actress Caroline Munro. Trailers for Psycho from Texas (1978) introduced by Linnea QuigleyDrive-In Massacre (1976) introduced by Ultra Violent Magazine editor Art Ettinger (Legend also discusses the film) and the double bill of Diabolic Wedding (1972), which is now considered a missing film, and Edgar Allan Poe's "Legend of Horror" (1972). Jesse Hess shows up at the end to bid farewell to his father, actor David Hess.







  • "Killer Animals," introduced by (usually soft-porn) actress Darian Caine. Trailers for Rattlers (1976), Squirm (1976) introduced by actress April Burril and Willard (1971) introduced by Young and with goofy comments from actress Debra Lamb.
  • "Baby Horrors," introduced by former child actress Denise Nickerson ("Dark Shadows;" the original Willy Wonka). Trailers for IT'S ALIVE (1974) and THE BABY (1972) with comments from Lamb and Burril.
  • "T&A Horrors," introduced by Scream Queen Michelle Bauer. Trailers for Invasion of the Bee Girls (1973), THE DEVIL'S WEDDING NIGHT (1973) and Ilsa, Harem Keeper of the Oil Sheiks (1975).
  • "Women Treated Badly," introduced by former porn actress Seka (who flips off the government in her bit). Trailers for Girl in Room 2A (1973), CORRUPTION (1968), THE HANGING WOMAN (1972), Let's Scare Jessica to Death (1971) introduced by horror hostess Cindy Marie Martin aka Helena - Hussy of Horror, PRIVATE PARTS (1972), THE GORE GORE GIRLS (1972) introduced by Burril, W (1974) and Snuff (1976) introduced by Exploitation Retrospect editor Dan Taylor. Porn actress Ginger Lynn Allen shows up for a few seconds to bitch about Hollywood's sex / violence double standard.
  • "Cannibal Horrors," introduced by Mr. Dead Guy. Trailers for Tender Flesh aka Welcome to Arrow Beach (1974), which "makes the killing in Snuff look like amateur night," The Severed Arm (1973) introduced by Ettinger and Cannibal Holocaust (1980) introduced by star Robert Kerman.
  • "Dario Argento Films," introduced by Italian actor Giovanni Lombardo Radice. Trailers for Cat O' Nine Tails (1971), FOUR FLIES ON GREY VELVET (1972) and Suspiria (1977).





At the very end, we get to hear a little bit from William Forsythe, who says he's not a big horror film fan (way to throw some cold water on the proceedings!), and NIGHT OF THE LIVING DEAD (1968) co-star Kyra Schon. Horror host John Zacherle aka The Cool Ghoul, sends us out. And that's all folks. 103 minutes. Over 60 trailers. The DVD is from Virgil Films.

★★1/2
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