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Monday, May 25, 2009

Mad Mutilator (1983)

... aka: Axe Monster, The
... aka: Ogroff

Directed by:
Norbert Georges Mount

If you're a fan of the horrid 1980 American slasher DON'T GO IN THE WOODS (yes that film does have fans) you might get a kick out of this completely awful French Texas Chainsaw Massacre wanna-be, which is so inept it almost makes DON'T look like a masterpiece by comparison. OGROFF was filmed so cheaply they couldn't even afford sound, so it was all dubbed in later. There's hardly any dialogue, but what they did add is terribly recorded and edited in. People slam car doors, shoot guns and move their lips and nothing is heard. The almost non-stop synthesizer soundtrack even drops out every time a noise is added! Music plays. Music suddenly stops. Scream is inserted. Music starts up again. Music stops. Sound of bird chirping is inserted. Almost the entire movie is like this! Not only is the sound quality abysmal, but every aspect of this film is home movie quality, from scenes going from day to night back to day again, underlit night scenes, overlit day scenes, no scene continuity whatsoever, people who barely react to getting attacked, gratutious cheap/cheesy gore effects, etc. It doesn't make a lick of sense and is basically little more than 90 minutes of bad actors getting chased through the woods and killed. I'm not even sure what Ogroff means. Maybe it means insanely awful. I actually had to look it up. Apparently it's the name of the killer even though I don't remember the name being uttered a single time here.

A couple pull their car over to the side of the road so dad can take a leak. Mom steps outside for a smoke. Their little boy (who looks about eight years old and is decked out in a hot pink outfit!!) runs off into the woods with the dog. A psycho dressed in boots, a toboggan, a fluffy sweater vest and a brown leather mask with some metal studs on it pops out from behind a tree and axes the kid. Then he chops off the dad's head. Mom runs away through the woods, is ignored by a passing car and is then tricked into the clutches of the killer. Well actually, after being chased around in the middle of nowhere she sees the killer walking away from her and basically just runs right up to him! He tries to tie her up. She escapes again, and makes it back to a shack in the woods. Uh oh. It's the killer's home! He gets her again, ties her to a cross with three skulls on it, dismembers her son with a hacksaw right in front of her, takes a bite of the flesh, then cuts out her tongue and feeds it to his dog. Meanwhile, a young woman finds the families abandoned car and goes to the cops. At least, I think she goes to the cops. She actually just walks up a sidewalk, they show a shot of a building reading "Gendarmerie Nationale" and then she's shown walking back toward her car. That same lady goes back to the spot of the abandoned car by herself and then starts walking through the woods for no apparent reason. She finds a dead man hanging from a tree, cuts him down and then realizes the man in actually a zombie (?!) She ties the noose to her bumper and rips its head off. OooooooK...

Just like in the aforementioned DON'T GO IN THE WOODS, random people seem to be doing completely random things in the middle of the woods. Two men sit outside playing chess. One gets axed in the face. The other gets his leg cut off. Their female friend tries to hide in the car but she gets her hand smashed in the door, which is then whacked off with a sledgehammer. The killer goes back home and chops up the tied-up mom with an axe, making her arm fall off. Then he decides to sink the woman's car. We see him pushing the car and suddenly a Matchbox car is seen falling into a puddle. Another woman pulls her car off to the side of the road and goes to open her trunk. The killer suddenly pops out (?!) and axes her. He sticks a knife all the way through a woman kneeling down picking flowers and then licks the knife. He also gets into a hatchet vs. chainsaw duel with a guy, takes the chainsaw from him, cuts off his legs and then guts him. They throw a lot of blood around in this one, but it's cheap, badly done and never convincing.

Anyway, the woman who found the car eventually shows up again. The killer kidnaps her, takes her back home and ties her to a chair. He realizes she looks like a woman in a picture frame I'm assuming is his mother. Then the girl has under-the-covers sex with the psycho and, get this, moves in with him! She even starts cleaning up all the scattered body parts lying around in the front yard. So it's an hour into this mess and it seems like your garden variety talent-free home video, before suddenly pulling the 'we know this is lame so we'll try to be irreverent and campy so people will think our crappy rip-off is a cult movie' routine during the final 20 minutes. Zombie start popping up everywhere, the killer starts riding around on a motorcycle dismembering them and a vampire priest (played by guest star Howard Vernon) shows up at the very end. It's not nearly as good as it may sound. In fact, it's all incredibly boring and annoying. Even a scene of the killer getting pleasure from "stroking" his hatchet is boring and stupid. I kind of liked the music, though. One song sounds like a disco version of the organ tune from Carnival of Souls.

Though never officially released here in the U.S. - We already have plenty of our own cruddy shot-with-a-camcorder "horrors" over here, thank you very much, France! - the film apparently received two VHS releases in Europe. One time it was called Mad Mutilator and the other time it was called Ogroff: The Axe Monster. A DVD-R is also available from Video Screams, and the film can be found on several torrent sites. Still, not many people have shown interest in seeing it (can't say I blame them!) and it only has racked up a measly 8 votes over on IMDb.

NO STARS!

Pretty Poison (1968)

...aka: She Let Him Continue

Directed by:
Noel Black

Dennis Pitt (Anthony Perkins) fantasizes his way through a humdrum existence as factory worker by day and accomplished arsonist by night, but he’s about to learn a true lesson in sociopathic tendencies from an unlikely source; chirpy blonde high school majorette Sue Ann (Tuesday Weld), who turns out to be even more disturbed than he is! This timeless and corrosive black comic thriller toys with our perceptions, our assumptive nature and, especially, our eagerness to reflect on and allude to the notion of small town American ideals that probably never even existed in the first place. In that regard, this can be seen as a precursor to David Lynch's critically acclaimed BLUE VELVET. Perkins and Weld deliver knockout performances, Beverly Garland contributes a great character bit as Sue Ann’s bitchy, ice-cold mother and it’s sharply and insightfully scripted by Lorenzo Semple, Jr. A winner.

★★★1/2

Power, The (1968)

Directed by:
Byron Haskin

A madman with telekinetic powers bumps off characters one by one to conceal a secret. This George Pal production is based on a novel by Frank Robinson. Never officially released to DVD or video. More review coming soon.

★★★

Prey, The (1980)

Directed by:
Edwin Scott Brown

Six teen campers (including former Playgirl centerfold Steve Bond and BLOODY BIRTHDAY star Lori Lethin) are stalked and killed by a deformed psycho. People are offed off in various ways, like sleeping bag strangulation, decapitation, ripped-out throat and falling off a mountain. In between we get enough nature and wildlife footage to put a National Geographic special to shame. It's fairly well photographed (especially shots of the Colorado Rockies) but that doesn't do much other than to help pad out a film that would otherwise be way too short for feature-length status. There's absolutely nothing here to help elevate this above the norm. In fact, calling this the "norm," as in average, is being far too kind. It sucks. Interesting though to find big guy Carel Struycken (Lurch from the 1990s THE ADDAMS FAMILY movie series) and Jackie Coogan (Uncle Fester from the original 1960s The Addams Family TV show) in the same movie. The make-up fx are passable, but nothing special. The director is best known for his adult movies (he made the hit IRRESISTIBLE starring Marilyn Chambers). Not released until 1984.

★

Please Don't Eat Me Mother! (1972)

...aka: Glump
...aka: Hungry Pets
...aka: Please, Not My Mother!
...aka: Sexpot Swingers

Directed by:
Carl Monson

Review coming soon.

★

Kaibyô Otama-ga-ike (1960)


... aka: Ghost Cat of Otama Pond, The
... aka: Kaibyo Otamaga-Ike

Directed by:
Yoshihiro Ishikawa

Based on the story "Sotoo Tachibana" by director Ishikawa and Jiro Fujishima, this opens with a great shot of the camera pulling back from a foggy marsh to reveal a young couple and then a hissing black cat on a tree branch. Tadahiko (Shôzaburô Date) and Keiko (Noriko Kitazawa), set the be married the following day, become lost in the woods and discover that no matter which direction they walk, they end up back at the same exact spot near a pond. Exhausted, and with both nightfall and and approaching thunderstorm heading their way, the two decide to follow a black cat back to a seemingly-abandoned home where they can spend the night. There, Keiko encounters an old woman (who may be a witch), passes out and comes down with a fever. Tadahiko and Keiko promptly leave, but a visit to a doctor reveals Keiko has the "mark of death" and has been somehow cursed by the cat. After an exorcism, the doctor explains to Tadahiko how the curse came about in the first place, and then we go into flashback mode, which takes up the bulk of the run-time.

The flashback scenes center around a pair of star-crossed lovers; samurai Yachimaru (also Date) and maid Kozaso (also Kitazawa), whose families are sworn enemies. Kozaso's father (Akira Nakamura) is not only abusive and controlling, he's also carrying on a not-too-secret affair with his mistress and has sided with the corrupt village magistrate; arranging for for his daughter to marry the magistrate's brother against her wishes. While Yachimaru is away, Kozaso's father, the magistrate and the magistrate's brother murder his father and grandmother, burn down his home and attempt to rape his sister Akino (Namiji Matsuura), who chooses to kill herself with a hairpin instead of being shamed. Yachimaru returns, learns his entire family is dead and then is murdered himself. Naturally, all the victims return in ghost form to settle the score by tricking those responsible for their murders into killing each other and those around them. So what part does the wronged family's pet kitty Tama play in all this? Best I could make of it is that she serves as the conveyance between the natural world and spirit world.

If you're familiar with Japanese horror of the 50s and 60s, this film doesn't really offer up anything new or different. You can see the same exact characters going through the same murdered-innocents- return-as-vengeance -seeking-ghosts plot in dozens of other films from this time period. The cat angle also isn't anything new. Do a title search and you'll see at least a dozen 'Ghost Cat' films were made in Japan between 1953 and 1968. However, judged as a separate entity or from the viewpoint of someone not familiar with these kind of films, this isn't bad at all. The art direction, camera-work and lighting are all good, and if the script isn't particularly insightful or layered, it's at least competent. I still prefer what I've seen from Nobuo Nakagawa thus far, as his films tend to be better written, paced and acted than this one, but Ishikawa (who wrote several of Nakagawa's films) does a fairly good job orchestrating the action. Cinematographer Kikuzo Kawasaki also does a good job; utilizing brown / muddy earth tones that makes the key supernatural images; a pond full of bright red blood, green-lit ghosts, a black cat's yellow eyes, etc., stand out.

Just like several other Japanese horror films from this period, the amount of violence and actual blood, as well as the body count, far exceed what was going on in horror cinema in most other countries during the same time. This was, after all, made three years before H.G. Lewis created the "first gore film" with Blood Feast, and there are other Japanese movies made years before this one with just as much violence and blood. I'm not saying they're to the extreme of Lewis' films or were designed specifically to be gross like Lewis' films, but this still has lots of the red stuff, slashings, stabbings, grueling prolonged deaths, gashed faces, impalements, burnt corpses and other things that may surprise those used to tamer films from this era.

★★1/2

Greedy Terror (1985) (TV)

...aka: Deadly Pursuit
...aka: Shock Chamber

Directed by:
Steve DiMarco

Review coming soon.

★
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