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Showing posts with label laser. Show all posts
Showing posts with label laser. Show all posts

Saturday, December 3, 2022

Phi Song Nang (1989)

... aka: ผีสองนาง
... aka: 菩薩咒
... aka: Heavenly Devil
... aka: Heavenly Spell
... aka: Pu sa zhou
... aka: Two Ghosts

Directed by:
ฤทธิรงค์ (Rittirong) (credited on Thai version)
On Ma (credited on HK version)

Depending on the source you consult, this film was first released in either 1987, 1989, 1990 or 1991 and you'll also notice completely different actors listed as being the stars and as many as five different directors credited with making it! That's not too uncommon with Asian co-productions or films made in one country and then released in another, though. Often times these movies had their titles and credits completely changed to give the impression someone else had made it or that it's a homegrown production and not one from a neighboring country. At other times, the original film was re-edited and had new scenes shot with new actors for release in certain markets. Sometimes the same film was essentially made twice, with parallel productions shot simultaneously with different actors speaking different languages. And then there were the times that films were indeed co-productions between two or three countries, but completely different edits were made and completely different footage used. This understandably leads to a lot of disinformation being spread around online that blogging film nerds like me have to try to clean up.


Best I can figure with this one is that it was either a solely Thai production or a Hong Kong / Thai co-production. The latter seems more accurate judging by the mixed cast, though the film is based on a famous folklore tale that I believe is specific to Thailand. The earliest release I could find for this one was a 1989 Thai theatrical release under the title ผีสองนาง, which translates to Two Ghosts. This was released in Hong Kong two years later under the new title 菩薩咒 / Pu sa zhou, which translates to Bodhisattva Mantra. A bodhisattva is a being who has achieved a high level of enlightenment in their quest to achieve complete Buddhahood. Since that would have no meaning to most non-Buddhist Western audiences, the English title used on the HK poster is Heavenly Spell. I took a look at both the Thai language VCD release and the Mandarin language HK DVD release and the two cuts of the film are identical.

As for who actually directed this, the Thai print credits ฤทธิรงค์ (Rittirong) while the HK print credits On Ma (who is called "Gon Man" on IMDb and several other names on several other websites). Many of the same people involved in this were also involved in another obscure film called Curse of the Zombi, which was also filmed in Thailand for the same producer and features many of the same actors. The two were likely shot back-to-back.

 

Considering how frustrating it was trying to make heads or tails of the cast and crew and dig up additional background info on this title, that wasn't anywhere near as annoying as actually having to try to sit through the film itself! Yikes. Just half an hour in, after the hundredth new character was introduced and the multiple dead end story threads started piling up, I was praying that everything would eventually start making sense. An hour later I was hoping for the exact same thing. It just never happened.








While passing through the woods with some treasure, noblewoman Fang (Siu-Yin Tsang) and her unnamed sister (Wasidtee Srilofung, a Miss Thailand finalist), plus their entourage, are attacked by a group of bandits while the theme music from Halloween plays. A villager named Shao-jun (played by former Shaw Brothers stable actor Siu-Kwan Gau) tries to come to their rescue but is only able to save one of the sisters after they fall into a river. The other sister drowns, as does a servant girl (Sasimaporn Chaikomol, another Miss Thailand runner-up) who was pushed in. Apparently none of these chicks can swim the ten feet necessary to make it back to the shore. Shao-jun brings Fang back to his home, where she's visited by her sister's weeping ghost, who promises to help take care of and protect her. And that she does whenever the main bandit, Xing (Kawee Sirikhanerut), shows up there looking for her. While Shao-jun and Fang are set up as primary characters early on, they're curiously dropped from most of the rest of the film.







The locals all worship and pay daily reverence to a female spirit called the "River Goddess," who's played by some unbelievably gorgeous yet unknown actress who may have been plucked from the pageant circuit herself. She has a shrine built by the river and, if anyone doesn't show their respect when passing it, the angry ghost lures them to their doom. A teenage girl named Jiao, daughter of district officer Bing (Paen Pleumsachai), is one such victim. After she's coaxed to the river and promptly vanishes underneath the water, Jiao's parents seek the help of young wizard Master Ling-hua (Bin Banleurit), a powerful practitioner of white magic. With help from an old witch, they're able to track Jiao's location down. Ling-hua jumps into the river and does battle with a pair of sea monsters, which look huge and amazing on the Thai poster up above but small, pitiful and strangely like plastic Chinese New Year dragon heads fastened to rubber tubes in the film itself. Jiao is located tied up underwater and, after Ling-hua and a monk plead with the River Goddess, the young girl is revived.

However, the River Goddess was injured in the fight and now needs to replenish herself. She pops up in the woods in her snake-dragon form, bites and kills a man, which angers his witchdoctor mentor (Suchao Pongwilai) and their other followers, who vow revenge. The witchdoctor seeks advice from a talking skull (?!) that tells him he has to combine a snake staff he's already in possession of with a "Yang element" before he can do battle with her. And then the wizard and his followers curiously disappear from the rest of the film never to be seen again. Not enough useless characters for your tastes? Well, you ain't seen nothing yet! The film also cuts back and forth between these three plot threads and some old man in the village rehashing all of the things we're watching to two other guys.








There were a number of things that left me scratching my head here, including whether or not these storyteller bits were meant to be set in the present day while the other stuff (or at least SOME of it) is in the past. The folk tale this is based off of is set the early 1800s, yet most of the other trappings seem pretty modern. Speaking of the folk tale, major liberties were clearly taken with it here. The original story has two murdered sisters haunting the lake. In this one, only one sister dies yet there are two dragon-snake monsters so we're to assume the River Goddess has transformed the dead sister into one of her minions or something. And then a second helper of the River Goddess, who appears to be the ghost of the servant of the drowned noblewomen, shows up toward the end. It's basically impossible to keep up with any of this!

Since apparently there wasn't enough going on already, we then next meet another evil black magician named Master Mao (played by director / writer / production manager Ma), who is actually an underling of yet another evil black magician called Grand Master (Tse-Lin Yang) and they are all somehow in cahoots with both the River Goddess and the group of bandits. Two remote magic duels take place; one between Mao and Ling-hau, and a second between Grand Master and Ling-hau, which include a flying cardboard bat monster, cobras, whipping, arrows, someone eaten alive by piranha and lots of laser lights shooting out all over the place. Most of the fighting is over a treasure chest filled with jewels that had sunk into the river.








There have been multiple VCD and DVD releases for this one. The Taiwanese DVD from Scholar comes with English subtitles. There was also a full screen, VHS-transfer Malaysian DVD release from YesAsia which is the one I viewed. It comes with English, Malay and traditional Chinese subtitles. Amazing how a film filled with things you should like, and usually do like, can end up being so tedious, isn't it?

1/2

Friday, June 17, 2022

Anita (1984)

... aka: Anita: Female Snake
... aka: Anita (Ular Betina)

Directed by:
"M. Syarifudin" (M. Sharieffudin A.)

Disapproving of plans for an arranged marriage, Juwita (Enny Beatrice) is chastised by her mother, Sofia (Ade Irawan), and then slapped in the face by her father, Thomas (Deddy Sutomo). As if that wasn't enough punishment already, she's then taken deep into the jungle on a remote island, tied to stakes in the ground and is left for dead (!) And then something even stranger happens. She's freed when lasers shoot the ropes holding her down and a huge python slithers between her legs. This particular snake has special powers and the ability to impregnate humans, which is exactly what happens when it gets busy (!) with a writhing Juwita. Afterward, Juwita goes a little crazy. Her guilt-stricken parents (the mother starts having nightmares about snakes attacking her in her garden) soon regret their decision and hire a posse of hunters, led by Hendra (Harry Capri), the man Juwita was to wed, to go find her and bring her back.

After Hendra locates a dirty and disheveled Juwita, a laser beam shoots out of the sun (?), speeds along her pregnancy, induces labor and she then gives birth to a huge egg. Once the egg cracks open, a bunch of slithering serpents emerge. A panicked Hendra starts frantically chopping them up with his machete (yes, real snakes are killed), is tripped up by one of them and accidentally stabs Juwita in the stomach. After Harry (Syarief Friant), one of Hendra's pissed off fellow hunters, engages him in a comically overlong fight, the men agree to keep what truly happened a secret. They bury Juwita in a shallow grave and then go on their way.









Unbeknownst to the hunters, one of the baby snakes managed to get away and it grows into a beautiful young woman named Anita (also played by Beatrice). Anita likes to swing from vines, bathe topless under waterfalls (which was blurred out on the version I viewed) and do hilarious erotic dances with snakes to generic elevator muzak. While performing one such dance, she passes out and wakes up in a cave surrounded by snake women decked out in snake-skin crop tops and miniskirts. All of the snake women can switch from human to snake form at will, as can Anita. The queen of the snake women (Poppy Soraya) is pleased with the new addition to their tribe, teaches her some snake fu moves and then shoots her with a laser and gives her a Medusa-head full of live snakes. I guess in snake woman world that's considered some kind of promotion.









A wildlife photographer (Advent Bangun) is canoeing around the island snapping photos when a pesky gator shows up, eats his guide and makes him wreck his boat. After stabbing it to death, he makes his way inland and is immediately ambushed by a half dozen snake warrior women, whom he defeats in a fight. One well-placed booby trap later and he's shirtless, sweaty and tied up in the cave, where snake ladies perform their patented seductive dance for him, which involves swaying their hips, slithering their arms, bowing before him and, uh, standing on his chest (?) Afterward, he has a fight with Anita and an errant laser shot hits the Queen and kills her. Now it's time for Anita to take charge and she wants the photographer to be her lover / assistant; a position he gladly accepts (might have something to do with him being shot with a green laser beam though).

Meanwhile, Juwita's father organizes an expedition to the island, which includes Hendra, Harry and five other dudes (including Dadang Iskandar and Yacob Essad from another Beatrice vehicle called ALLIGATOR QUEEN), who get picked off one by one. Several are killed by snakes, there's another alligator attack and, in an ironic death, Hendra gets impaled with a machete against the same tree Juwita died in front of. The survivors flee and make it back to their vehicle and to civilization. However, Anita (in snake form) has managed to hitch a ride on the bottom of their jeep. At around the same time, Lina (Linda Lolita Husein), who is either Juwita's kid sister or a niece, shows up at the house for a visit. Her first night there, she's welcomed by a cobra slithering into bed with her, which is "killed" with an umbrella but then transforms into a piece of rope.









Anita keeps tormenting the family, mostly in her cobra form, and bites a face, slithers inside a pants leg, traps Lina inside a car with constrictor snakes and knocks her off a dock into the water and causes people to shoot one another. Whenever it's time for hand-to-hand combat, Anita transforms back into her human form. The finale takes place in the woods and at a huge rock quarry and features an arm hacked off with a machete, laser snakes, numerous people knocked over a rocky embankment to their deaths, a neck snapped with a thigh, a snake fight, lots more human fighting and a female spiritualist (Connie Sutedja) who has a laser battle with Anita and then transforms into a giant frog (!?) before dying.











While this starts getting a little sloppy toward the end and I can definitely do without seeing real animal slaughter (there's also a completely pointless bit where a constrictor is put inside a cage with a rabbit), this hits all of the other right notes one would want out of such a film. It's filled with action and martial arts (the fight scenes are actually pretty good), magic, cheap special effects, animal attacks, flash editing, fun costumes, nice shooting locations and has a fast-paced, bizarre, sometimes incoherent and highly entertaining plot that combines jungle adventure, fantasy, snake horror and even a little haunted house flick in the last 30 minutes.

Anita is a very good vehicle for Beatrice, who must have been pretty popular in Indonesia in the 80s because this was one of 14 (!) films she did in 1984 alone. Here, she's nice to look at, enthusiastic, acquits herself pretty well with the martial arts demands and is obviously brave to spend half the movie with snakes crawling all over her, not to mention wearing that live snake headdress for most of her scenes. Beatrice abruptly disappeared from films for good in the late 80s after marrying (and having six children with) wealthy Malaysian businessman Tengku Adnan Tengku Mansor, who was dabbling in film production at the time. He would go on to become a politician, serving on the Malaysian Parliament and as the countries Minister of Tourism, and has been embroiled in bribery, corruption and tax evasion scandals in the past few years.

This has never been released in America nor is it available in an English language version. I could only track down one home video release; an Indonesian one on the VCD format.

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