... aka: Devil's Machete
... aka: Devil's Sword, The
... aka: Koral le justicier (Koral the Vigilante)
... aka: Le justicier contre la reine des crocodiles (The Vigilante Against the Queen of the Crocodiles)
... aka: Lord of the Crocodiles
... aka: Svaerdets dronning (Queen of the Sword)
A small village worships or, more specifically, has no other choice but to worship, a cruel, insatiable and all-powerful nympho white crocodile demon queen (Gudhi Sintara) who lives in a palace underneath a nearby lake along with a slew of crocodile handmaidens, faithful male warriors and a wizard sidekick. The queen's sexual appetite is so huge that she's been ordering the village to sacrifice all of their strong, brave and handsome young men to her. After all, it sometimes takes at least seven at once to please her on her croc-themed silver chaise lounge. You could say that she's high maintenance. She also hates being disappointed. If she grows tired of her sex slaves, feel they're misbehaving or they fail to live up to her expectations, she simply does away with them by tossing them into a bamboo cage filled with hungry, crazed cannibals!
Since the village has recently been unable to keep up with the queen's demands, she resurrects the great warrior Banyujaga (Advent Bangun) from beyond. He goes to the village (riding in on a levitating boulder!) and demands a young man named Sanjaya (Yos Santo), who's right in the middle of wedding village leader Barata's (H.I.M. Damsyik) daughter, Pitaloka (Enny Christina), accompany him back to the queen's palace. When the villagers refuse to cooperate, Banyujaga punches, kicks, cracks bones and uses his twin swords to slash, slice, impale, chop, disembowel, dismember and decapitate. Interestingly, Pitaloka (who has a parasol weapon and knows martial arts) mostly fights him while her hopefully-husband-to-be is left to stand by and watch. During the fight, Pitaloka is injured and her father is killed after having his hand chopped off. But not all hope is lost...
Virtuous warrior Mandala (Barry Prima) rides in on his horse to help but Banyujaga is able to resurrect some alligator men from underground to distract him long enough to run off with Sanjaya, who's taken to the queen's kingdom. There, she hypnotizes him with her mesmeric eyes and has her way with him on a spinning bed surrounded by fire. Meanwhile, Mandala finds his teacher Abirama (Kandar Sinyo), whom he communicates with telepathically, seriously injured. Snake venom from a previous fight is making his legs turn black and rot. Mandala is able to stabilize him with a concoction made from exploding mushrooms (!) and then chops off both of his legs to keep the poison from spreading. Abirama reveals that he was attacked for refusing to give up the secrets of the Devil's Sword, which was made from a fallen meteor and possesses supernatural powers. Whoever has it in their possession could use it to end life as we know it. Mandala is given a map and sent on quest to locate it. He teams up with the persistent Pitaloka, who is determined to rescue her husband.
Banyujaga is not only beholden to the evil crocodile queen (whom she's taken as a lover), but he's also teamed up with three other evil, power-hungry warriors. There's the Red Snake King, who has a poison staff that can turn into a snake (or vice versa), an old, rotten-tooth witch (Rita Zahara) with a deadly whip and a bald-domed man (Kusno Sudjarwadi) who has a nifty hat that can explode or rip off heads. As they'd all like to possess the sword, the four soon turn on each other and battle it out. The snake and hat men aren't difficult for Banyujaga to defeat but the witch, who's called a "polluted bitch hound" and "dirty daughter of a whore," regenerates after being cut in two and keeps on going even after losing her head. Though she's forced to retreat, she promises to return to get revenge. That never happens.
Getting to the sword proves to be no easy task and starts with a (marvelously done!) raft ride across a foggy lake from a skeleton. Some floppy-headed alligator men attack and the sword itself is located inside a pink-lit cave filled with bats and a bunch of booby traps, including an acid lake, spikes that pop out of the floor and a room that shoots out spears. A one-eyed stone monster is the final challenge and considering it appears to be made out of paper it's easily defeated. Mandala and Pitaloka must then do battle with Banyujaga before descending into the queen's underground lair to do battle with her, her minions and a gold, blue-eyed flamethrower / laser crocodile icon.
Many viewers make mention of the low budget special effects, cheap-looking sets and wonky fight choreography and editing on display here. However, once you start descending down the Indonesian fantasy / horror rabbit hole a bit further you'll realize that all of the above get much, much worse than this. For an Indo production from this same time frame, Devil's Sword is more elaborate, better-made and appears to have a larger-than-usual budget. That's all relatively speaking, of course! Still, I have seen far cheaper and far more incompetent.
The action is extremely fast-paced and gruesome as this juggles all kinds of odd fantasy-adventure / horror / mystical ideas and leaps from one fx-fueled set piece to another... coherence be damned! Nearly every scene ends up turning into some kind of big fight. While some of these are almost passably choreographed, at other times they resort to speeding up the action, which of course looks ridiculous and comical. The plot is jam packed with assorted nonsense, some of which doesn't feel like it belongs at all. You never really know what you're going to get from one scene to the next, but the nonsensical nature of the plot eventually takes its toll. The final act suffers because of this, in part because you've grown accustomed to slapdash nature of the movie and in part because most of the better weird stuff has already occurred or is simply being repeated.
This was based on a comic by Man (pen name for Mansyur Daman) and is part of his Mandala serial. The ending seems to be a set-up for a sequel, though one was never made. Very prolific actor / director / writer / producer Timoer (real name: Ahmad Suratno) also directed the genre films Kuntilanak / "Female Ghost" (1974), Gondoruwo / "The Haunted House" (1981), Jin Galunggung / "Galunggung Genie" (1982), Rimba Panas / "Jungle Heat" (1988) and Pembalasan Setan Karang Bolong / "Revenge of the Karang Bolong Demon" (1989), plus acted in a handful, most notably some of the Sisworo Gautama Putra / Suzzanna collaborations. He'd won some major acting awards (including Best Actor at the Indonesian Film Festival) in the 70s and amassed over 150 credits during his 30 year career.
This is one of the best distributed Indonesian genre titles from this era. There were home video releases in Bulgaria, France, Germany, Greece, Japan, the Netherlands and elsewhere and this was English-dubbed for release in the US and UK. A 2006 DVD from Mondo Macabro gave it even more exposure, boosting it to near the top of all Asian cult films.