Ratings Key



★★★★
= Excellent. The best the genre has to offer.
★★★
1/2 = Very Good. Perhaps not "perfect," but undoubtedly a must-see.
★★★ = Good. Accomplishes what it sets out to do and does it well.
★★1/2 = Fair. Clearly flawed and nothing spectacular, but competently made. OK entertainment.
★★ = Mediocre. Either highly uneven or by-the-numbers and uninspired.
1/2 = Bad. Very little to recommend.
= Very Bad. An absolute chore to sit through.
NO STARS! = Abysmal. Unwatchable dreck that isn't even bad-movie amusing.
SBIG = So Bad It's Good. Technically awful movies with massive entertainment value.

Friday, June 19, 2009

Histoires extraordinaires (1968)

... aka: Spirits of the Dead
... aka: Tales of Mystery
... aka: Tales of Mystery and Imagination
... aka: Tre passi nel delirio
... aka: Trois histoires d'Edgar Poe

Directed by:
Federico Fellini
Louis Malle
Roger Vadim

Three top European directors take on the works of Edgar Allan Poe in this impressively mounted three-part horror anthology. Roger Vadim's "Metzengerstein" is incredibly beautiful. It was shot around great-looking, crumbling oceanfront castles and is remarkably photographed, costumed and scored. It's just a shame the core plotting is so weak and the segment is otherwise forgettable. The evil Baroness Frederique (a sometimes kinkily clad Jane Fonda, the director's wife at the time) is an insatiable tyrant who presides over orgies and sadistic, dehumanizing games. When she destroys a pure soul; her distant cousin Wilhelm (Peter Fonda), horses and fire play a key role in her demise. Though subtle, the romantic implications between the sibling actors is a bit discomforting at times. "William Wilson," by Louis Malle, is a well done, entertaining and underrated reworking of the old doppelganger theme starring Alain Delon as an arrogant lout and his better half, a exact copy who drives him crazy by putting a halt to his evil impulses. Odd story structure here and Brigitte Bardot (in a black wig) is good support during a fateful card game. And then comes the really great stuff...

"Toby Dammit" (released separately as "Never Bet the Devil Your Head"), a brilliant and sometimes supremely chilling piece of enigmatic filmmaking from Federico Fellini. Terence Stamp (not long after his award-winning performance in The Collector) is a marvel of facial expressions as boozy, obnoxious British movie star Toby Dammit, who falls apart at the seams upon arriving in Italy to start production on a Western reworking of the story of Christ. Instead he becomes imprisoned in his own personal hell. In every possible technical department, this segment is a triumph and the creepy finale (borrowing a key image from Mario Bava's Kill, Baby... Kill!) has lost absolutely none of its impact. The score by Nino Rota, art direction/ production design by Ghislain Uhry and Carlo Reva and cinematography by Giuseppe Rotunno all deserve special recognition in this segment.

"Metzengerstein" also features Françoise Prévost (Murder Clinic), Serge Marquand (The Grapes of Death) and Philippe Lemaire (Blood Rose). John Karlsen (Terror in the Crypt) and Katia Christine (The Hand That Feeds the Dead) are in "William Wilson." Salvo Randone (from Fellini - Satyricon), Ernesto Colli (DEADLY INHERITANCE) and Dakar (Zombie) are in "Toby Dammit."

The version I saw (entitled Tales of Mystery and Imagination) was a great-looking, subtitled print, though a dubbed version also exists featuring narration by Vincent Price.

★★★1/2

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