Ratings Key



★★★★
= Excellent. The best the genre has to offer.
★★★
1/2 = Very Good. Perhaps not "perfect," but undoubtedly a must-see.
★★★ = Good. Accomplishes what it sets out to do and does it well.
★★1/2 = Fair. Clearly flawed and nothing spectacular, but competently made. OK entertainment.
★★ = Mediocre. Either highly uneven or by-the-numbers and uninspired.
1/2 = Bad. Very little to recommend.
= Very Bad. An absolute chore to sit through.
NO STARS! = Abysmal. Unwatchable dreck that isn't even bad-movie amusing.
SBIG = So Bad It's Good. Technically awful movies with massive entertainment value.

Friday, August 7, 2015

Morianerna (1965)

... aka: Die Verkommenen (The Depraved)
... aka: Hillittömät (Unchecked)
... aka: I, the Body
... aka: Moi, un corps
... aka: Morianna

Directed by:
Arne Mattsson

Filthy rich businessman Verner Vade (Anders Henrikson) appears to get great pleasure in being as cruel and condescending as humanly possible. To him, common folk are “peasants” and “parasites,” while his own wife, daughter and other relatives who live in his home are nothing more than “freeloaders.” Not surprisingly, pretty much everyone hates him and they're all growing impatient waiting around for the sadistic old geezer to croak so they can finally get their hands on his money. Verner tells his daughter Monica (Ella Henrikson) that he'll leave her one of his many homes but only if she'll leave her fiance. When she refuses and threatens to find him legally incompetent to overrule the will, he then informs her that he's really planning on leaving every cent to charity; adding that she's not his real daughter and thus has no say in the matter. Because of what a lying jerk he's been her whole life, Monica can't even tell whether he's telling the truth or not. In even worse shape is Verner's much younger wife Anna (Eva Dahlbeck), who might as well forget it since she'd already signed a prenuptial agreement.






Anna and Monica aren't the only ones who want a piece of the pie. Anna's sister Agda (Elsa Prawitz, the director's wife at the time) is married to Verner's lawyer Bengt Ahlgren (Ove Tjernberg), who's recently been busted embezzling money from his client. Monica's fiance Jonas (Walter Norrman), who she's deeply in love with but maybe not vice versa, insinuates that without the money there may not be any marriage. Anna is having an affair with their neighbor, playboy architect Ragnar Synnéus (Erik Hell) and, for good measure, there's also a flamboyant, perverted nephew named Boris (Heinz Hopf), who stays drunk much of the time, lets rats crawl all over his body and has a thing for sexy blonde maid Rita (Lotte Tarp) who, in turn, is sleeping with a shady waiter named Valter Velin (Tor Isedal), who may have past ties with Verner. In other words, it should come as no surprise when one or more of the above finally decide they've had it and try to bump Verner off.






A few days before his 80th birthday, Verner receives a telephone call to his office from a male who only refers to himself as “Death.” Despite that major red flag, Verner agrees to meet up with "Death" at the man's apartment, which turns out to actually be the architect and Anna's “love nest.” When he arrives and walks into the bathroom, he's caught off guard by the sight of Rita taking a shower. He's then attacked and severely beaten by an unknown assailant. Though Verner's left for dead, his body disappears soon after. Luckily, Detective Durell (Olle Andersson) happened to be passing by Verner's office and overheard snippets of a strange conversation going on between Verner and his cab driver prior to the attack. Already with one clue to go by, Durell volunteers to take on the case and gets to work checking out the entire family. Things get more complicated when Verner shows up at home battered (but as big an asshole as ever) and then someone kills him again... or did he / she / they?







Coming out smack in the middle of the popular West German / Edgar Wallace krimi cycle, this minor mystery has much in common with those films (tons of suspects / red herrings, action set primarily in an old dark house, shadowy b/w photography, etc.) but seriously lacks punch. The production values are rather low and there's no humor, no bizarre camerawork, no real sense of style, no suspense and (worst of all) no real surprises. That all results in a fairly-competent, though dreary, murky, overly-talky and plodding film. The cast isn't bad at all (Hopf is especially memorable) but ultimately can't save the whole thing from being forgettable and utterly routine.







Likely because there was no other way to effectively sell this bland film to an international audience, it had to be misleadingly marketed as a sex film to play up a few instances of nudity. Most countries put Lotte Tarp (who shows breasts and ass in three different scenes) front and center as the star despite the fact she appears here strictly in a supporting part. On the Italian poster, she's billed as “La Sex Bomb.” Here in America, the 1968 press kit calls it “A most candid sensual film” and is filled with topless shots of Tarp. She's the only actor even billed on the Morianna poster and her character is referred to as “...a maid in the House of Sade!” It was also re-titled I, the Body in some places to try to entice viewers who had seen Mac Ahlberg's then-scandalous erotic film I, a Woman (1965).




A good number of mystery-thrillers would come out soon after Morianerna (an adaptation of a novel by Jan Ekström) was made that were far more graphic with the sex and violence, essentially nudging this down the path of completely obscurity. It never received a VHS or DVD release here in America as a result, nor anywhere else other than Sweden to my knowledge.

★★

The 2015 Orloks - 1987 Results

Started many moons ago by Prof-Hieronymos-Grost, the Orloks were a yearly poll on the IMDb horror boards where users submitted Top 5 lists of their favorite horror movies for each year. All of the results were then tabulated to come up with a definitive list of the year's most-liked genre offerings. Alas, when the good Professor decided to depart the boards years ago, the awards went with him... that is until now. IMDb-er seth_yeah - taking on responsibilities as both host and calculator - has decided to bring back this long-standing tradition in 2015, and now the awards will have a permanent place right here on this blog. Scoring is rather simple and done on a weighted system where first choice receives 5 points, second choice 4 points, etc., with a +1 bonus then awarded to the #1 selection on each list. IMDb release years are being used, but it is left up to voters to determine what they may or may not consider horror (which may be in conflict with IMDb's genre labeling system). If you'd like to participate, head on over to the IMDb HORROR BOARDS to vote! So without any further ado, the results...

_________________________________________________________________________________

1987
Top 5
* * * * * * * * * *
1. Hellraiser
UK / 64 points / Clive Barker
* * * * * * * * * *
2. Evil Dead II
USA / 63 points / Sam Raimi
* * * * * * * * * *
3. Prince of Darkness
USA37 points / John Carpenter
* * * * * * * * * *
4. Opera (Terror at the Opera)
Italy31 points / Dario Argento
* * * * * * * * * *
5. Near Dark
USA30 points / Kathryn Bigelow

_________________________________________________________________________________

Making the Top 10:

6. Angel Heart / Canada, UKUSA / 29 points / Alan Parker
7. Nekromantik / West Germany / 20 points / Jörg Buttgereit
8. (tie) Monster Squad, The / USA / 13 points / Fred Dekker
8. (tie) Stage Fright (Aquarius; Deliria) / Italy / 13 points / Michele Soavi
9. Vec vidjeno (Deja vu; Reflections) / UK, Yugoslavia / 12 points / Goran Markovic
10. (tie) Bad Taste / New Zealand / 11 points / Peter Jackson
10. (tie) Sien nui yau wan (A Chinese Ghost Story) / Hong Kong / 11 points / Siu-Tung Ching

_________________________________________________________________________________

Others receiving votes:

- Angustia (Anguish) / Spain / Bigas Luna
- Beyond the 7th Door / Canada / Bozidar D. Benedikt
- Creepshow 2 / USA / Michael Gornick
- Dark Age / Australia / Arch Nicholson
- Denchu Kozo no boken (Adventures of Electric Rod Boy) / Japan / Shin'ya Tsukamoto
- Deranged / USA / Chuck Vincent
- Dolls / USA / Stuart Gordon
- El aullido del diablo (Howl of the Devil) / Spain / Paul Naschy
- Faceless / France, Spain / Jesus Franco
- Friday the 13th: Series: 'The Inheritance' / Canada [TV] / William Fruet
- Gate, The / Canada, USA / Tibor Takács
- Gospodin oformitel (Mister Designer) / Soviet Union / Oleg Teptsov
- Hidden, The / USA / Jack Sholder
- House II: The Second Story / USA / Ethan Wiley
- Killer Workout (Aerobicide) / USA / David A. Prior
- Killing Spree / USA / Tim Ritter
- Le foto di Gioia (Delirium) / Italy / Lamberto Bava
- Ling huan xian sheng (Mr. Vampire III) / Hong Kong / Ricky Lau
- Lost Boys, The / USA / Joel Schumacher
- My Demon Lover / USA / Charlie Loventhal
- Nightmare on Elm Street 3: Dream Warriors, A / USA / Chuck Russell
- Offspring, The (From a Whisper to a Scream) / USA / Jeff Burr
- Outing, The (The Lamp) / USA / Tom Daley
- Prison / USA / Renny Harlin
- Proini peripolos (Morning Patrol) / Greece / Nikos Nikolaidis
- Psychos in Love / USA / Gorman Bechard
- Retribution / USA / Guy Magar
- Return to Salem's Lot, A / USA / Larry Cohen
- R.O.T.O.R. / USA / Cullen Blaine
- Stepfather, The / USA / Joseph Ruben
- Street Trash / USA / Jim Muro
- Träff i helfigur / Sweden / Pelle Seth
- Veld / Soviet Union / Nozim To'laho'jayev
- White of the Eye / UK / Donald Cammell

_________________________________________________________________________________

Links here will be connected when the time comes.

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