Ratings Key

= Excellent. The best the genre has to offer.
1/2 = Very Good. Perhaps not "perfect," but undoubtedly a must-see.
★★★ = Good. Accomplishes what it sets out to do and does it well.
★★1/2 = Fair. Clearly flawed and nothing spectacular, but competently made. OK entertainment.
★★ = Mediocre. Either highly uneven or by-the-numbers and uninspired.
1/2 = Bad. Very little to recommend.
= Very Bad. An absolute chore to sit through.
NO STARS! = Abysmal. Unwatchable dreck that isn't even bad-movie amusing.
SBIG = So Bad It's Good. Technically awful movies with massive entertainment value.

Saturday, November 21, 2009

La momia azteca contra el robot humano (1958)

... aka: Aztec Mummy vs. the Human Robot, The
... aka: Human Robot, The
... aka: Humano Robot, El
... aka: Robot vs. the Aztec Mummy, The

Directed by:
Rafael Portillo

Sometimes going into a movie completely blind is a good idea. Other times it's not. In this case, I probably should have done my homework before jumping right to the third film of this particular series I was unfamiliar with, but I honestly didn't know this was the third film of a series when it popped up on TCM Underground at 2am. All I know is that I saw "mummy" and "robot" in the title and I just had to see it. The good news is that I didn't really have to see either The Aztec Mummy (1957) or The Curse of the Aztec Mummy (1957) beforehand to follow what was going on here. The filmmakers were kind enough to recycle footage from both of them. As a matter of fact, around 2/3rds of this film's 65-minute run time is a flashback recap to the previous installments. While that personally helped me catch up on what I missed, it also puts this into that lazy cash-grab category that's really impossible to defend.

Dr. Edward Almada (Ramón Gay), his wife Flora (Rosa Arenas) and his assistant Pinacate (Crox Alvardo) invite two scientists over to their home and then go into great detail about their previous run-ins with both a resurrected mummy and the evil Dr. Krupp aka "The Bat" (Luis Aceves Castañeda). We learn that Flora is the reincarnation of Xochi, an Aztec maiden set to be sacrified by her village. She, along with her warrior lover Popoca (Ángel Di Stefani), are apprehended and killed when they try to flee. Popoca still lives on as a mummy in the temple ruins, springing to life any time someone lays a finger on a valuable bracelet and gold breastplate. After an unsuccessful attempt to raid the temple, the mummy's home crumbles to the ground and he's forced to relocate to a cemetery crypt. Dr. Krupp and his acid-scarred accomplice Bruno hypnotize Flora into helping them locate the mummy. They take his treasure (again) and then face dire consequences when the mummy crashes the lab, basically kills all the bad guys and then goes back to his resting place. All of the events listed above are from the first two Aztec Mummy films... and now we only have about 20 minutes left!

In the new footage, Edward and Pinacate discover that Dr. Krupp actually managed to escape the snake pit the mummy had thrown him into through a trap door and is up to no good again. He steals some radium and a brain and constructs a radio-controlled "human robot," which is basically one of those box robots with cylinder arms with the addition of a human head enclosed in a glass bubble. They bring it to the cemetery and into Popoca's new resting place to see if it can defeat the mummy. Unfortunately, the guaranteed campy showdown between the bucket of bolts and the heap of dusty old rags ended prematurely after a prolonged bear hug and just a couple of shoves. Oh well, I enjoyed it while it lasted. All 30 seconds of it.

The film was acquired by K. Gordon Murray 's American International for U.S. consumption and, along with the second film in the series, was sold directly to TV. As a public domain title, it's been released by just about every label under the sun. In 2006, BCI Eclipse released all three movies on one set.



Doc Quatermass said...

It was kind of TCM to run this as an unintentional birthday present for me (after a day before my natal day present of the brothers George Sanders and Tom Conway Falcon movies) as I grew up on the Classic Universal Horror and Hammer and the independent short-lived studios horror films as well as the Mexican horror and masked wrestler films imported and dubbed by K. Gordon Murray's Florida-based studio, that found a new market syndicated in packages to television when TV was much better and you only had three major networks and a couple independent stations.

Exchange between Detective Robert Thorn (Charlton Heston) and Sol Roth (Edward G. Robinson) in the 1973 dystopian film, Soylent Green:

Det. Thorn: I know, I know. When you were young, people were better.

Sol: Aw, nuts. People were always rotten. But the world 'was' beautiful.


"Judy, I want you to give up that silly job ... saving humanity. It's ridiculous." ~ Richard Dennison (John Archer) to his fianceé, mission worker Judy Malvern (Wanda McKay) in Bowery at Midnight (1942)

"Don't get gay kid, just because you're handy with that heater." ~ Stratton (Wheeler Oakman) to escaped killer Frankie Mills (Tom Neal) who pulls a gun on Stratton in Bowery at Midnight (1942)

Bad movies have taught us that sheriffs hold on to their belts a lot. ~ Crow T. Robot

The Bloody Pit of Horror said...

I have most of the movie channels (HBO, Showtime, etc.) and I think I watch TCM more often than all of the other combined. This one could have used some more mummy/robot action and I felt a bit short changed that the bulk of the film was repeat footage, but it was nice to finally see it.

Related Posts Plugin for WordPress, Blogger...