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Showing posts with label Ingrid Pitt. Show all posts
Showing posts with label Ingrid Pitt. Show all posts

Friday, June 19, 2009

Wicked Women (1990) (TV)

Directed by:
Robert Sidaway

Oliver Reed narrates this tiny collection of Hammer clips/trailers featuring some of the studio's most evil female characters. Included are Ingrid Pitt as COUNTESS DRACULA, Bette Davis as THE NANNY and in THE ANNIVERSARY, Tallulah Bankhead in FANATIC/DIE, DIE MY DARLING, Martine Beswick in DR. JEKYLL AND SISTER HYDE and a couple of others. What this really is is a single episode of the near-worthless The World of Hammer (1990) series. The entire 25-minute run time consists of nothing but clips (and not even the best clips), there are no interviews and the narration here isn't exactly trivia-packed or insightful, meaning this Anchor Bay tape is a rip-off. Back in 2000, AB released every episode in the 13-part series, each to an individual EP tape; each with a run-time of less than half-and-hour. The very least they could have done was squeeze four episodes onto three tapes instead of making one pay individually for each of them. Not that that would make the show any more worthwhile... The series itself sucks and is little more than a last opportunity to ring some quick cash out of the Hammer brand name. Don't bother.

Since the release of these tapes (which are to be avoided on amazon, ebay and other sites where they still sell them), Anchor Bay has re-released these episodes as simple bonus features attached to the "Hammer Collection" DVD series. WICKED WOMEN, for example, is an extra on their release of THE WITCHES (1966). I won't bother with reviewing the other tapes ("Christopher Lee," "Peter Cushing," "Lands Before Time," "Sci-Fi," "Vamp," etc.) in the series. This review will suffice for any of them.

★1/2

Monday, June 1, 2009

Wicker Man, The (1973)

...aka: Anthony Shaffer's The Wicker Man

Directed by:
Robin Hardy

Edward Woodward (later to star in The Equalizer TV series) is a devoutly religious police inspector who travels to the small island of Summerisle to investigate the disappearance of a young girl. There's a cover up to the girls whereabouts by the entire community and he finds himself equally appalled by their free-living lifestyle; simple pleasures which include drinkin', singin', swingin' sex... and pagan human sacrifice. The title refers to a giant wooden idol necessary for climactic May Day ceremony. THE WICKER MAN opens fairly slowly (and some complain it has too many musical numbers), but after the first pub scene it becomes suspenseful, creepy (without a stitch of violence) and brilliantly atmospheric, creating a seemingly authentic and unusual society not dependent on standard moral or religious codes. It's safe to say that the strong and unflinching religious subject matter in Anthony Shaffer's script carries with it the potential to infuriate some viewers. It's also extremely ironic that this same close-minded worldview is perfectly reflected in the bullheaded lead character, and also helps to seal his fate. Not that the pagans in this film aren't equally unwavering in their beliefs, but the "power of in numbers" philosophy rings true here just as it does in contemporary society. Imagine a small place in this world not adversely affected by standard organized religion and you get the gist of Summerisle.

If you want gore, you won't find any here. If you can't go into this film with an open mind, you might not appreciate what it has to offer. And if you are looking for a standard horror film you may be disappointed (or you may be like me and be pleasantly surprised). The ending is simultaneously chilling and oddly amusing. Paul Giovanni provides a memorable soundtrack, with "Gently Johnny" and "Maypole" standouts. Both Woodward and Christopher Lee (who rightfully considers this one of his finest films) as Lord Summerisle are excellent in their roles. The cast also includes Britt Ekland as the seductive Willow (her voice was dubbed and she was body doubled during her memorable erotic nude dance sequence), Diane Clineto as a schoolteacher, Ingrid Pitt as a librarian, Lindsay Kemp as the pub owner/innkeeper and Aubrey Morris as a gravedigger. Much censored over the years, the most common version (the one released in America) runs 88 minutes, and the director's cut (released in 2001) runs 100.

★★★1/2

Monday, November 3, 2008

House That Dripped Blood, The (1970)

Directed by:
Peter Duffell

There were several dozen horror anthologies made in England in the 1970s. This Amicus production is one the very best, thanks to a talented all-star cast, astute direction from first timer Peter Duffell and a very knowing and clever screenplay by Robert Bloch (PSYCHO) that takes familiar horror conventions and gives them creative new spins. Things center around a large, creepy red brick country home with a sordid past that is continually rented out by realtor A.J. Stoker (John Bryans), a guy who makes sure he warns each new tenant what they might be getting themselves into! Trailing a missing film star there, Detective Superintendent Holloway (John Bennett) learns of the home's blood-stained past from the local police sergeant (John Malcolm). Turns out that the actor isn't the only person who has had trouble in the home and we get to see four stories to prove it... First up is a fairly creepy tale involving reserved horror author Charles Hillyer (Denholm Elliott), who moves into the manor with his wife Alice (Joanna Dunham). Dominick (Tom Adams), the lead heavy in his newest horror opus seems to have leaped from his imagination into the real world, where he pops up at the most inopportune times. A deformed strangler and accomplished lady killer, Dominick also lets Charles know that his wife may be next... But there's more to the story than meets the eye. This delivers a few shudders before a fairly predictable twist ending.

Next up is a stylish wax museum tale about unrequited love and decapitation. Peter Cushing is Philip Grayson, an uptight, never-married, retired stock broker who glumly informs the realtor "I'm used to being alone" when he moves in. He plans on spending his time there gardening, reading and listening to music, but is instead drawn to the "Museum of Horror" waxworks in town. There he sees lots of wax horror figures; werewolf, mummy, etc., plus a hidden display of a woman looking oddly familiar and holding a head on a platter. She's a dead ringer for a woman Philip was once in love with, who never returned the favor. The owner of the waxwork claims the woman was once HIS wife and she was both a murderess and a murder victim. Philip's friend Neville (Joss Ackland), who also had the hots for the woman, stops by and also sees the display. Turns out the 'lifelike' display is actually an embalmed corpse and the owner is an axe murderer! Before all is said and done, there will be a new head or two showing up on the platter.

While the first two segments are both pretty good, the final two are better. Part 3 stars Christopher Lee as John Reid; a stern, overly-protective widower with a young daughter named Jane (Chloe Franks). Though Jane is an angelic-looking tyke (who is scared of fire), dad seems to fear her and won't allow her to have toys or interact with anyone outside the home. Instead of sending her to a public school, he hires teacher Ann Norton (Nyree Dawn Porter, who is excellent) to come stay with them. Puzzled at first by John's cold, neglectful, seemingly abusive treatment toward his young daughter (and the fact he says he's glad his wife died!), Ann soon learns that little Jane has actually inherited an interest in witchcraft from her mother and has fashioned a special voodoo doll out of wax to get back at dear old dad (who loses it and slaps her in the face). This is a very well-done, well-acted, moody, intelligently-written horror story that could have stood alone as a short feature. Easily the most memorable of the lot.

Finally after three serious horror tales, we get some welcome comedy. Jon Pertwee (a standout) is Paul Henderson, a pompous asshole who has let minor fame as a horror film veteran go to his head. There's a hilarious scene where he terrorizes the set of a low-budget movie called "Curse of the Bloodsuckers" he's set to star in. He wanders in with his nose in the air, destroys some of the cheap sets, berates the crew, scoffs at his wardrobe ("Who's this belong to? The Flying Nun?") and even cracks a funny anti-Christopher Lee joke by saying Lugosi is better! Unhappy with his vampire costume, he goes to a costume shop owned by weird-o Theo von Hartmann (Geoffrey Bayldon). The new cloak he purchases there (at a bargain price) turns out to have special powers and transforms anyone who wears it into a (flying) vampire! This causes complications on the set of the movie and with female co-star Carla Lynde (Ingrid Pitt, sporting a lot of cleavage). Things come full circle when Det. Holloway comes to the house to look for the actor.

Some sources claim that Joanna Lumley (of Absolutely Fabulous fame) is in the cast (she's on IMDB as "film crew girl"), but I don't recall seeing her anywhere.

★★★

Sunday, November 2, 2008

Countess Dracula (1971)

Directed by:
Peter Sasdy

Another treatment of the Elisabeth Bathory legend from Hammer studios, based on the novel "The Bloody Countess" by Valentine Penrose, is a pretty decent vehicle for Polish-born beauty Ingrid Pitt, who'd just gotten some attention for playing Carmilla in the hit THE VAMPIRE LOVERS (1970). The evil, aging Countess Elisabeth Nodosheen arrives in a small village to take command of a castle, where she discovers that she can regain her youth and beauty by bathing in the blood of young women. She has her own daughter Ilona (Lesley-Anne Down, who's young, whiny and a little grating here), then impersonates her and romances soldier Imre Toth (Sandor Elès), while killing busty Euro-babes with help from faithful servants Captain Dobi (Nigel Green) and Julie (Patience Collier). Though it got middling reviews when released, like most other Hammer films it isn't bad at all, especially compared to the crap we're subjected to nowadays. Pitt apparently was dubbed here for some reason (probably because of her thick Polish accent), but she's still responsible for a good deal of this films success because of both her sex appeal and the fact she's a good enough actress to delineate Elizabeth's distressed aged and glowing youthful personas.

Other aspects of the film, from the photography to the score to the costumes to the set/production design are pretty top notch. And don't be turned off by the PG rating, this features enough blood and nudity for an R. Also in the cast are Maurice Denham as the castle historian Master Fabio, Peter Jeffrey as the chief bailiff, Nike Arrighi and Susan Broderick and Marianne Stone as maids.

★★1/2
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