Had a slow last few weeks (at least by my standards!), so I'm combining two weeks together for this update. I managed to watch eight more films for the challenge during this time, bumping my grand total up to 24. Not a bad first month at all as January comes to a close... but there's still 168 more left to go.
_________________________________________________________________________________Big Ass Spider! (2013; Mike Mendez) [Viewed Jan.27]
A SyFy Channel-style big mutant spider flick with slightly better acting, writing and special effects than usual. For a full review CLICK HERE. [USA] [rec'd by sdaveak47] ★★1/2
_________________________________________________________________________________The Children (2008; Tom Shankland) [Viewed Jan. 25]
*PICK OF THE WEEK* Two married yuppie couples and their children (a
rebellious teenage daughter who doesn't really want to be there and four
little ones) get together to spend a pleasant Christmas holiday in the country.
Well, that's what they were initially hoping for at least! One of the kids is
sick, and quickly spreads whatever he has to the other three children.
Unfortunately for the adults, it's not a case of the sniffles but some kind of
highly-contagious virus that turns all of the children into evil, emotionless,
calculating and homicidal psychos but doesn't appear to have any effect on them.
Films about evil children have been a mainstay of the horror genre ever since
The Bad Seed (1956) and Village of the Damned (1960), but this type of film has
really taken off here in the past few years. Though poorly edited is spots and
lacking much in the way of plot and substance, The Children still does the theme about
as well as anything else I've recently seen. It's well-made, strongly directed and photographed, utilizes the wintery outdoor settings quite nicely and boasts solid performances from the entire cast. There's
plenty of tension and suspense, some genuinely shocking, bloody and / or nasty moments and the
filmmakers make the astute decision to leave the origin of the strange disease
completely ambiguous because, quite frankly, it seldom really even matters in
these things, anyway. [UK] [rec'd by Nan00k] ★★★
_________________________________________________________________________________Flexing with Monty (1994-2010; John Albo) [Viewed Jan. 28]
The late Trevor Goddard (who died of a drug
overdose in 2003) stars as Monty; an obnoxious, narcissistic bodybuilder / PE
teacher who spends all of his time working out, farting, fucking a blow-up doll,
going on homophobic religious rants, thrusting his ass and crotch into the camera and flashing back to a better time in his youth when his
loving granny used to massage his ass and give him hand jobs. His whiny younger
brother Bertin (Rudi Davis) is a sensitive teenager who keeps some deformed and
presumably retarded banana-eating, constantly-masturbating monkey-man with Spock ears in a cage in his bedroom and has been more
or less kept isolated by his brother... who turns out to actually be his father.
A nun (Sally Kirkland) finally shows up to wax poetic about the legend of the
biblical Lilith and perform an exorcism on Monty's cock. After a
production history of nearly a decade and a long period lying in limbo,
Unearthed Films finally decided to unleash this monstrosity onto DVD. They really should have left it buried for good. Flexing with Monty is one of the most idiotic, self-indulgent, nonsensical, monotonous and annoying films I've ever had the misfortune to sit
through. When the director isn't busy worshiping every inch of Goddard's sweaty bod (pretty much the sole redeeming factor of this production), he's busy
forcing his cast to recite monologues filled with some of the most
embarrassingly awful and irritatingly pretentious dialogue ever captured on
film. Hideously awful. [USA] [rec'd by emertens] ★
_________________________________________________________________________________Murder Party (2005; Jeremy Saulnier) [Viewed Jan. 20]
While walking down the street on Halloween
night, geeky loser Christopher (Chris Sharp) finds an invitation to something
called a "murder party" on the ground. Having no plans for the evening, he
fashions a last minute knight costume made out of cardboard and decides to
attend... only to find himself tied down to a chair with a handful of raving eccentric artists planning on murdering him and filming the act. Why? For the sake of art,
I suppose. I think the intention here was to make a satire of the pretentious New
York City art scene, but this film isn't particularly funny, nor is it scary or
disturbing or compelling or really much of anything. There are a couple of laughs and a last-minute splattering of gory murders, but once the premise is
established it really has no place to go and quickly becomes tedious, especially dragging in the mid-section. Nearly the entire film takes place in a dimly-lit
warehouse, the acting ranges from OK to God awful and the characters come off as
either obnoxiously one-note or completely unlikable (not even the lead character
merits much sympathy as there's no real effort put out to humanize him). I'm giving this an extra point because for an
extremely low-budget production it's fairly well-photographed and edited. Note: Some people seemed to enjoy this more than I did, so I'd still recommend giving it a look if you're curious. [USA] [rec'd by DaveHedgehog] ★★
_________________________________________________________________________________Plaga zombie: zona mutante (2001; Pablo Parés, Hernán Sáez) [Viewed Jan. 24]
Three young men (including a washed-up former
professional wrestler) are dropped off in the middle of a street in an abandoned
small town overrun by zombies. There, they fight the zombies... and then run away.
Fight some more zombies... and then run to somewhere else. Then fight some more
zombies... and go to a house for a breather (and a random musical number). And
then fight some more zombies... and fight with each other.... and finally
discover the spacey secret of the living dead they've been fighting all along.
Plaga zombie is an intentionally silly shot-on-video comedy / action / splatter flick made with all the enthusiasm and good spirits in the world by a completely
amateur cast and crew. It's filled to the brim with amusing homemade gore and
zombie makeups and the makers clearly worship at the feet of people like
George Romero, Sam Raimi and Peter Jackson. There are constant nods to films
like Bad Taste, The Evil Dead and Romero's famous "Dead Trilogy" sprinkled
throughout that many fans of this stuff are gonna enjoy. Even though it more
than wears out its welcome with an overlong run-time of nearly 100 minutes and
becomes tiresome and repetitive as a result, enough genuine no-budget charm
seeps its way through all of the blood and guts and dismembered limbs and crazy
camerawork and rapid fire editing to make this adequately entertaining for fans. [Argentina] [rec'd by ninjas-r-cool] ★★1/2
_________________________________________________________________________________Sleepstalker: The Sandman's Last Rites (1995; Turi Meyer) [Viewed Jan. 15]
Thanks to some good ole black magic, an executed serial killer is able to return to life to continue his crimes and possibly gain immortality in the process. Typically gimmicky 90s horror. For the full blow-by-blow and screenies, consult the full review RIGHT HERE. [USA] [rec'd by SomebodyWicked] ★★
_________________________________________________________________________________
Strangler of the Swamp (1946; Frank Wisbar) [Viewed Jan. 22]
While WWII was underway, German director Frank Wisbar emigrated to the
United States and ended up stuck working in the bottom-rung poverty row
PRC Studio in Hollywood for his duration of his stay in the states (he'd return
to Germany in 1959 where he made more films and lived out the remainder of his
days). One of his crowning achievements while in America was this one, a remake
of his earlier film Fährmann Maria (1936). Rosemary La Planche (who had been
crowned Miss America in 1941) stars as Maria Hart, a young working class girl
who travels to a small swamp-bound village to take over her late uncle's job
operating a hand-pulled ferry. She soon realizes that the marshes are
haunted by the ghost of a man who was wrongfully executed years earlier and
avenges himself not only on his killers (her uncle included) but also their descendants. This utilizes typical 'doomed love' sub-plotting in which Maria may
have to ultimately sacrifice herself in order to both break the curse and spare
the life of the man she's fallen in love with. Standard writing and
plotting, dated and melodramatic performances, rushed, ineffective old-fashioned
romantic aspects and a spoonful of religious mumbo jumbo customary of its time bog this down some,
but it's also wonderfully foggy and atmospheric. The sets are quite good, the
female lead is a bit stronger, braver and more independent than what was commonplace at the time and Wisbar shows a fine eye for visuals and establishing mood. I'd
imagine he'd have come up with something truly great given a good script to work
with. [USA] [rec'd by Zombie_CPA] ★★1/2
_________________________________________________________________________________
Strippers vs. Werewolves (2012; Jonathan Glendenning) [Viewed Jan. 26]
This joins the ranks of Zombie Strippers
(1998) starring porn queen Jenna Jameson, Zombies! Zombies! Zombies! - Strippers vs. Zombies (1998) and Zombies
vs. Strippers (2012) (yes those are all three different films) in this new
"stripper" horror subgenre. What should one expect from these titles? Well
firstly, obviously some T&A and sexy dancing. After all, these are strippers we are talking about here.
Second, monsters doing battle with said strippers. And finally, a sense of
humor. Strippers vs. Werewolves provides all three components, but sadly
doesn't do well enough in any of the three areas to leave viewers feeling fully satisfied. There's some rather brief nudity in just a few isolated scenes and none of it is contributed by the leading ladies. Even worse, there's hardly any dancing OR stripping (boo!). The promised showdown between the vixens and the undead happens at
the very end, is over before it even has a chance to get good and is horribly edited and directed to boot. As for the comedy, there are a few chuckles here and there, but it misses the mark more often that
not. Everything is presented in a comic book-style fashion sometimes utilizing
different panels showing simultaneous action, but it's photographed in such a
dowdy and murky way that it doesn't come off as intended. In addition, the
werewolf make-up designs are absolutely terrible. Sarah Douglas (playing the brassy strip
club owner), Billy Murray (leader of the werewolf pack) and others do what they
can to spruce this thing up. Robert Englund and Martin Kemp both also turn up in a useless cameos. [UK] [rec'd by alchemie666] ★★
_________________________________________________________________________________JAN. 15-28 STATS:
FTV (First Time Views): 8
Repeat Views: 0
Total: 24 / 192