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Wednesday, July 29, 2015

Lang nu (1974) [possibly 1976]

... aka: 狼女
... aka: 野女狼
... aka: สาวหมาป่า
... aka: Wanita Serigala
... aka: Wild Female Wolf
... aka: Wolf Girl, The
... aka: Ye nu lang

Directed by:
"Chen Tung Man" (Tung Man Chan)
"Chin Weng" (Kuang Hui)

A year after many were slaughtered by a group of counter revolutionaries, the survivors, who’ve fled to a small village, have been stewing and plotting their revenge ever since. Displaced Lord Hang Pao (probably played by second-billed “Chin Weng” aka co-director Kuang Hiu) is especially pissed since his father was murdered so he goes to visit a black magic-practicing wizard living in a cave to see what his revenge options are. The magician suggests he make a “ghost child.” which will grant any wish he desires. The catch is that the only way to do so is for him to sacrifice the life of his own child while it's still in the mother's womb and he must first get his wife's (“Ai Lan Yeh” / Aranya Namwong) consent before doing so. Overhearing their plans, the wife is not having any of that and flees into the woods. She ends up being taken in by a lonely old widow named Shih (Chosri Misommon) and gives birth to twin girls at her home. The widow offers her home and help to the young mother, but instead she takes one of her babies and runs off into the night. That turns out to be a dumb move as she accidentally falls over a cliff and kills herself. The baby she left with, however, isn't harmed at all by the fall. Thankfully, a pack of wolves (which are played by normal dogs) stumble upon her and, instead of chowing down on the newborn delicacy, decide to raise the baby as their own.






As the one baby girl left in the widow's care (named Aloonee and also played by Namwong) grows into a beautiful young woman, the other girl turns into a dirty, wild woman (Namwong once again) adept at killing small animals with her bare hands and such. Hang Pao and the magician have spent most of that time attempting to get a proper male fetus to create their “ghost child.” That requires Hang Pao to spread his seed to any lady who'll have him and the magician later ambushing the ladies and slicing them open with his “Holy Sword.” Much to their dismay, every single baby has been a girl. Hang Pao decides to marry the bitter, evil and possibly infertile Adi (Lam Dai aka Lin Di aka Metta Rungrat, who's great) to carry on a façade of normalcy and then knocks up a succession of young servant girls, takes them on a walk through the woods and then has the magician do his thing. But still, no male child... and it's been 20 long years since they first started.






Aloonee has an admirer in hard-working carpenter Anan (“Song Pa” / Sombat Methanee), but when Hang Pao lays eyes on her and notices she is a dead ringer for his long-dead wife, he instantly becomes smitten and begins trying to woo her with gifts. Little does he know but it's his own daughter that he's trying to persuade to marry him. Jealous over all that, Hang Pao's wife tries to get revenge by attempting to get pregnant with Anan's child. In an outrageous and hilarious scene, she has four of her young, giggling servant girls push Anan on the bed, tie him up and pull down his pants, then she climbs on top of him and starts raping him! That's followed by a scene of her attempting to coerce her husband to impregnate her “country cousin” who shows up there filthy and stinking (“We only bath twice in a year... I supposed a little water wouldn't hurt me.”) The wife gives her a good “rub down” in the tub but she's so ugly that Hang Pao has a hard time “making it” with her, but eventually does... with the lights out.






The Lord's wife stages a scene to make Anan look like he's cheating on Aloonee, prompting her to take a bunch of sleeping pills. The wife then drugs and has her way with Anan a second time, but cries rape herself when he tries to force her to come clean about what she's been up to. While this amazing little warped soap opera is going down, the Wolf Girl twin and her pack are terrorizing the village, raiding chicken coops, destroying property, eating livestock, trampling gardens, killing people and such. Wolf Girl surprises a couple having sex in a barn and then claws the guy to death with her extra-long blue (!) fingernails. She then slashes the throat of one of the Lord's goons when he attempts to bury Anan alive, takes our hero back to a barn, offers him raw meat, starts licking his face and then then two have doggy-style sex in the hay. All the while, Anan thinks it's Aloonee and she's lost her mind because of all the pills she took.






Meanwhile, the “country cousin” who's been having sex with the Lord discovers she's pregnant and pukes all over the floor. Her Master takes her to the “doctor,” which is actually the cave where the now old and gray magician lives. The two slice open her stomach, discover the baby is male (finally!) and then start the ritual to conjure up the “ghost child” using the cut-out fetus, smoke, a smoldering cow head and chanting. When all that's over, Hang Pao becomes the “Master of the Ghost Child” and is given a special necklace which enables him to summon the ghost at any time he pleases. The little boy ghost / fairy is then sent out to kill the unfaithful wife, who's also having sex with her husband's #1 thug (Choomporn Theppitak) but complications arise when Hang Pao discovers the identities of both Aloonee and the Wolf Girl.






This is a really hard one to rate. On one hand, it's ridiculous, dumb and cheap. On the other hand, it's hilarious, outrageous, weird and never boring. This really isn't SBIG material as it seems somewhat campy from inception. However, the camp is multiplied by about 100 thanks to an often hysterically funny re-dub. This doesn't exactly go the What's Up, Tiger Lilly? route by turning the entire thing into a comedy, but the people who recorded the English dub certainly had a great time poking fun at the absurdity of it all. At one point, the slutty wife character tries to comfort the husband by telling him, “You can't blame yourself, honey bun... You got her pregnant but then she happened to be eaten by wolves.” At a pub, Anan gets drunk and sings a hilarious song that goes “The wolves are terrifying the humans, the humans. It's terrible. It's terrible. Pretty girls are falling in love with the bastard. It's terrible. It's terrible. It's terrible. Young girls they are all marrying the old man. It's like throwing pearls before swine. Why do the young girls do it? They do it for the money. Open the box. Open the box. Take the money. Ahhhh!” It's almost as good as the SHADOWS OF BLOOD theme song.






Extremely rare nowadays, the only American home video release this received was through the Hong Kong-based Ocean Shores and their print has a 1981 copyright date on it. In other words, this has been out of proper circulation for over thirty years now. The Ocean Shores print is dark and murky to the point where it's nearly impossible to make out what's happening in the night scenes. Subtitles strangely appear at the very end despite the rest of the film not having them. The entire soundtrack was stolen from other films, including nearly all of Krzysztof Komeda's famous score from ROSEMARY'S BABY (1968) right down to Mia Farrow singing “Lullaby.” IMDb and the Hong Kong Movie Database say it was released in 1974 but the Thai World View database claims 1976. The latter also says the original Thai version no longer exists and this is only available in Mandarin. Guess they don't know about the rare English release.


Lead actor Methanee, who was best known in his home country for his action films (and gets several fight scenes here to show off), is almost completely unknown to American audiences, but he once held the Guinness Book of World Records record for most film appearances... over 600! Methanee himself claims to have appeared in over 2,000 productions if you include television appearances. He and Namwong also appeared together in KRAI THONG (1980).

★★1/2

The 2015 Orloks - 2003 Results

Started many moons ago by Prof-Hieronymos-Grost, the Orloks were a yearly poll on the IMDb horror boards where users submitted Top 5 lists of their favorite horror movies for each year. All of the results were then tabulated to come up with a definitive list of the year's most-liked genre offerings. Alas, when the good Professor decided to depart the boards years ago, the awards went with him... that is until now. IMDb-er seth_yeah - taking on responsibilities as both host and calculator - has decided to bring back this long-standing tradition in 2015, and now the awards will have a permanent place right here on this blog. Scoring is rather simple and done on a weighted system where first choice receives 5 points, second choice 4 points, etc., with a +1 bonus then awarded to the #1 selection on each list. IMDb release years are being used, but it is left up to voters to determine what they may or may not consider horror (which may be in conflict with IMDb's genre labeling system). If you'd like to participate, head on over to the IMDb HORROR BOARDS to vote! So without any further ado, the results...

_________________________________________________________________________________

2003
Top 5
* * * * * * * * * *
1. Janghwa, Hongryeon (A Tale of Two Sisters)
South Korea / 65 points / Jee-won Kim
* * * * * * * * * *
2. Haute tension (High Tension)
France, Italy, Romania / 58 points / Alexandre Aja
* * * * * * * * * *
3. House of 1000 Corpses
USA / 29 points / Rob Zombie
* * * * * * * * * *
4. Jigureul jikyeora! (Save the Green Planet!)
South Korea / 28 points / Joon-Hwan Jang
* * * * * * * * * *
5. (tie) Dead End
France, USA / 26 points / Jean-Baptiste Andrea, Fabrice Canepa
* * * * * * * * * *
5. (tie) Gokudô kyôfu dai-gekijô: Gozu (Gozu)
Japan / 26 points / Takashi Miike

_________________________________________________________________________________

Making the Top 10:

6. Texas Chainsaw Massacre, The / USA / 23 points / Marcus Nispel
7. Manson Family, The / USA / 20 points / Jim Van Bebber
8. Ju-on 2 (Ju-on: The Grudge 2) / Japan / 16 points / Takashi Shimizu
9. Final Destination 2 / Canada, USA / 15 points / David R. Ellis
10. Wrong Turn / Germany, USA / 14 points / Rob Schmidt

_________________________________________________________________________________

Others receiving votes:

- Beyond Re-Animator / Spain / Brian Yuzna
- Beyond the Limits / Germany / Olaf Ittenbach
- Chakushin ari (One Missed Call) / Japan / Takashi Miike
- Delta Delta Die! / USA / Devin Hamilton
- Dreamcatcher / Australia, USA / Lawrence Kasdan
- Endangered Species / USA / Kevin S. Tenney
- Freddy vs. Jason / USA / Ronny Yu
- Gathering, The / UK / Brian Gilbert
- Gothika / USA / Mathieu Kassovitz
- Graveyard Alive / Canada / Elza Kephart
- Horror / USA / Dante Tomaselli
- Huset vid vägens ände (The Cellar) / Sweden / Martin Kjellberg, Nils Wåhlin
- Identity / USA / James Mangold
- Janitor, The / USA / TJ Nordaker, Andy Signore
- Jeepers Creepers 2 / USA / Victor Salva
- King of the Ants / USA / Stuart Gordon
- Last Horror Movie, The / UK / Julian Richards
- Lost Things / Australia / Martin Murphy
- Love Object / USA / Robert Parigi
- Oldeuboi (Oldboy) / South Korea / Chan-wook Park
- Open Water / USA / Chris Kentis
- Red Water / USA / Charles Robert Carner
- Shredder / USA / Greg Huson
- Twentynine Palms / France, Germany, USA / Bruno Dumont
- Undead / Australia / Michael Spierig, Peter Spierig
- Underworld / Germany, Hungary, UK, USA / Len Wiseman
- Villmark (Dark Woods) / Norway / Pål Øie
- Wicksboro Incident, The / USA / Richard Lowry
- Willard / Canada, USA / Glen Morgan

_________________________________________________________________________________

Links here will be connected when the time comes.

< Back to 2002                    Continue to 2004 >

The 2015 Orloks - 1999 Results

Started many moons ago by Prof-Hieronymos-Grost, the Orloks were a yearly poll on the IMDb horror boards where users submitted Top 5 lists of their favorite horror movies for each year. All of the results were then tabulated to come up with a definitive list of the year's most-liked genre offerings. Alas, when the good Professor decided to depart the boards years ago, the awards went with him... that is until now. IMDb-er seth_yeah - taking on responsibilities as both host and calculator - has decided to bring back this long-standing tradition in 2015, and now the awards will have a permanent place right here on this blog. Scoring is rather simple and done on a weighted system where first choice receives 5 points, second choice 4 points, etc., with a +1 bonus then awarded to the #1 selection on each list. IMDb release years are being used, but it is left up to voters to determine what they may or may not consider horror (which may be in conflict with IMDb's genre labeling system). If you'd like to participate, head on over to the IMDb HORROR BOARDS to vote! So without any further ado, the results...

_________________________________________________________________________________

1999
Top 5
* * * * * * * * * *
1. Ravenous
Czech Republic, UK, USA / 55 points / Antonia Bird
* * * * * * * * * *
2. The Blair Witch Project
USA / 47 points / Daniel Myrick Eduardo Sánchez
* * * * * * * * * *
3. Ôdishon (Audition)
Japan / 40 points / Takashi Miike
* * * * * * * * * *
4. eXistenZ
Canada, UK / 19 points / David Cronenberg
* * * * * * * * * *
5. The Ninth Gate
France, Spain, USA / 18 points / Roman Polanski

_________________________________________________________________________________

Making the Top 10:

6. Sixth Sense, The / USA / 16 points / M. Night Shyamalan
7. Stir of Echoes / USA / 15 points / David Koepp
8. Sleepy Hollow / Germany, USA / 14 points / Tim Burton
9. Kolobos / USA / 13 points / Daniel Liatowitsch David Todd Ocvirk
10. (tie) Eyes Wide Shut / UK, USA / 12 points / Stanley Kubrick
10. (tie) Lake Placid / USA / 12 points / Lewis Teague

_________________________________________________________________________________

Others receiving votes:

- Akai misshitsu (heya): Kindan no ôsama geemu (Red Room) / Japan / Daisuke Yamanouchi
- Buffy the Vampire Slayer: 'Hush' / USA [TV] / Joss Whedon
- Curse of the Blair Witch / USA / Daniel Myrick, Eduardo Sánchez
- Debbie Does Damnation / USA / Eric Brummer
- Deep Blue Sea / Australia, USA / Renny Harlin
- Desecration / USA / Dante Tomaselli
- Dr. Wong's Virtual Hell / USA / Jesus Franco
- Haunting, The / USA / Jan de Bont
- House on Haunted Hill / USA / William Malone
- Idle Hands / USA / Rodman Flender
- Les amants criminels (Criminal Lovers) / France / François Ozon
- L'humanité (Humanité) / France / Bruno Dumont
- Lighthouse (Dead of Night) / UK / Simon Hunter
- Los sin nombre (The Nameless) / Spain / Jaume Balagueró
- Nang nak / Thailand / Nonzee Nimibutr
- Ragdoll / USA / Ted Nicolaou
- Saimin (Hypnosis) / Japan / Masayuki Ochiai
- Scooby-Doo and the Witch's Ghost / USA [animated feature] / Jim Stenstrum
- Serebryanye golovy (Silver Heads) / Russia / Vladimir Maslov, Yevgeny Yufit
- Sôseiji (Gemini) / Japan / Shin'ya Tsukamoto
- Storm of the Century / Canada, USA [TV] / Craig R. Baxley
- South Park: Bigger Longer & Uncut / USA [animated feature] / Trey Parker
- Stigmata / USA / Rupert Wainwright
- Terror Firmer / USA / Lloyd Kaufman
- Tha se do stin Kolasi, agapi mou (See You in Hell, My Darling) / Greece / Nikos Nikolaidis
- Virus / France, Germany, Japan, UK, USA / John Bruno
- Wild Zero / Japan / Tetsuro Takeuchi
- Yeogo goedam II (Memento Mori) / South Korea / Tae-yong Kim, Kyu-dong Min

_________________________________________________________________________________

Links here will be connected when the time comes.

< Back to 1998                    Continue to 2000 >

Tuesday, July 28, 2015

Kamillions (1990)

... aka: Wingates, The

Directed by:
Mikel (Mike) B. Anderson

Little was known about the making of this very obscure film until the guys at Junk Food Diner hunted down and interviewed the director, so now there's a bit more background information about this one out there... and what fascinating (and amusing) background information it is! According to the director, who'd previously made and sold a low-budget comedy called Alone in the T-Shirt Zone (1986), an acquaintance of his got into contact with him about a directing opportunity. He then flew to San Francisco and met with a group of producers who'd flown in from Hong Kong. The group already had the budget in place (roughly a million dollars), the locations secured, a script and all of the monsters designed for a horror film. After a disagreement over the initial script, the original writers walked. Anderson then wrote a brand new screenplay in less than two weeks. While he was busy doing that, completely unbeknownst to him, the producers changed gears and wanted a monster-comedy film more in the vein of Tim Burton's then-recent hit Beetlejuice (1988). After reading Anderson's straight horror / sci-fi script, the producers attempted to fire him (despite the fact they hadn't yet told him they were wanting something else) and then re-hired him. Anderson and Harry S. Robins (who also plays a major acting role in the movie) then did yet another script rewrite to work in some comedy.

Filming took place at the Dunsmuir House and Gardens in Oakland, California. The familiar-looking home, which was built in 1899 in the Neoclassical style, was the same house previously seen in Burnt Offerings (1976) and Phantasm (1979). Post production didn't go smoothly because all the money ran out, so the score wasn't properly done. The first cut of the film ran over 2 hours, but much to the horror of the director and the co-writer, the Chinese producers (who didn't quite understand the style of humor) had it reduced to about 90 minutes and apparently chopped out whole scenes rather indiscriminately as they went along. Anderson claims that the film was “basically not finished” and that it's “not edited properly.” In fact, he had little to do with the version that eventually found its way onto home video. The 90-minute cut was released on a completely unknown label (SBM) here in the U.S. and it also popped up on video in a few other countries like Australia and the Netherlands. However, the overall distribution was pretty awful.


Loopy scientist Nathaniel Pickman Wingate (Robins), a graduate of Miskatonic University so we already know he has the highest of monster mayhem credentials, has established a contact point with a parallel universe occupying the same subatomic space as our universe. But before he can go down in the record books with some of the greats, first things first. He has a birthday party to attend... His own. Cheerfully aloof wife Nancy (Laura O'Malley) wants him to stop dilly-dallying and get ready and sends their teenage son Sam (Dan Evans) to prod him along, but Nathan just can't pull himself away from his work despite the fact he only has 4 hours of coolant left to safely operate his machinery or else he'll end up blowing up half the planet. While peering into the alternate dimension he's discovered, Nathan spots a bunch of unknown lifeforms. He's then sucked into the portal and two little insect-like monsters are spit out into our world.







Meanwhile, Nancy greets a succession of party guests starting with her snobby, bitchy sister-in-law Angelica (Kate Alexander), who isn't five minutes there before she's criticizing nearly every member of the family. Angelica technically owns half of the huge mansion but she's been unable to get her money out of it due to her brother and his family still living there, so I guess she at least has a reason to be bitter. Long-absent, extremely wealthy cousin Desmon (Christopher Gasti), who's a famous count in Liechtenstein, shows up next all the way from Europe. And then dropping by in is family friend Lawrence Newman (David Allan Shaw), who claims to have given up the bad life (like paying for escorts) to become a conservative (“Obviously the tragic result of a liberal upbringing!”) reverend but is actually just your usual greedy / sex-obsessed hypocrite in clergy's clothing. He also keeps trying to hawk some program called “Dynagetics” in an obvious dig at L. Ron Hubbard's “Dianetics,” which was all over the place at the time.







The two little creatures; one good, one evil, have the amazing power of mimicry and can rearrange their physical structure to become an exact duplicate of any organism or physical object. In other words, they can transform into whomever or whatever they want at will. They also have telekinetic abilities, can animate inanimate objects, read minds and possess many other abilities. The bad creature (which turns out to be a 10-year-old brat in the other dimension) ends up attacking and possessing Desmon, while the good creature (the brat's babysitter) sneaks into son Sam's closet, glances up at pin-up poster and transforms into the image of Sam's dream girl: a model named Jasmine (Dru-Anne Cakmis, who also starred in Albert Pyun's VICIOUS LIPS [1986] under the name "Dru-Anne Perry"). Sam, of course, falls hard for Jasmine even though he can't quite explain why she's suddenly materialized in his closet, while Desmon goes on a killing spree; gleefully offing various guests and family members in bizarre ways.







This plot seems to have been inspired not only by H.P. Lovecraft's writings but also Stuart Gordon's hit Lovecraft adaptations Re-Animator (1985) and From Beyond (1986). As for the rest, it appears they swiped elements from The Deadly Spawn (1983), Gremlins (1984), Weird Science (1985), Terror Vision (1986), Critters 2 (1988), the Nightmare on Elm Street films, Beetlejuice and numerous other then-popular films, put them in a blender and hit “Mix “ Thankfully, this is still filled with fun sequences that make the film worth a look. During one, a man's penis turns into a giant snake-like monster. During another, a woman's fox stole comes to life and attacks her before she's transformed into a cockroach. One guy gets electrocuted with jumper cables, the obnoxious daughter (Allison Rachel Golde) gets a telephone shoved down her throat and Sam's best friend (Andrew Ross Litzky) is squashed down to where he fits inside of a fish bowl. The bad creature takes on several forms throughout, including that of a chair.







Because this was clearly made in good spirits, isn't all that sleazy (there's no nudity, very little bad language and no real gore) and has a rather upbeat tone, it maintains a sort of innocent, infectious old fashioned charm throughout. The acting's mixed (and downright wooden in a few instances) but decent for the most part and the production values, photography, lighting, sets and all that are adequate. Despite what the director and co-writer have said in regards to the editing and score, I didn't notice any major problems with the continuity or flow of the film. I'm sure it's not the complete vision they had for it and they have every right to be disappointed, but what's here and how it's presented certainly isn't bad either. 







After filming was completed, Anderson returned home feeling bummed about his experiences, not to mention broke. The tide soon turned though when he got a job working on a little animated show that was still in its infancy back in 1990: The Simpsons. He worked his way up on the series, starting as a character layout artist and finally becoming a director, winning several Emmy Awards in the process. Robins would later become well-known in the gamer world for providing the voice Dr. Isaac Kleiner in the Half-Life video game series, while cinematographer Kathleen Beeler went on to a successful career working for Industrial Light & Magic. Assistant director William Rice co-directed his own weird horror flick, The Vineyard (1989), at the Dunsmuir House at around the same time.


Trivia Note: The was supposed to be called (the properly-spelled) Chameleons but one of the Hong Kong investors insisted that be changed to Kamillions because he feared people would mispronounce the title! Incidentally, this name change actually ends up suiting the film perfectly because of its comedic tone, the fact that these chameleons are from another dimension and it's how the dumb sister character spells it on a piece of paper.

★★1/2
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