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Showing posts with label Taiwan. Show all posts
Showing posts with label Taiwan. Show all posts

Tuesday, October 3, 2023

Mi yue guai shou (1980)

... aka: 蜜月怪手
... aka: Bàn tay mà (Ghost Hand)
... aka: Honeymooners, The
... aka: Horrible Honeymoon Tour, The
... aka: La main fantôme (The Ghost Hand)

Directed by:
Te-Chien Chang

A famous biologist (Yu Wang) passes away around the same time his daughter, Yu-Wan (Ling-Lung Ou-Yang), gets married to Chin-Hai (Tao-Hung Li). The new couple move into a new mansion and take along part of the dad's belongings. Among those are some musty old suitcases full of papers and a small metal box curiously wrapped with a chain and padlocked shut. When the metal box starts shaking uncontrollably, their alcoholic servant informs the husband, who manages to pick the lock. Believing it's some animal inside, he places books on top and goes to get a trash can to capture it in. When he returns, the box is on the floor and whatever was inside has escaped. They're able to track it to the attic, lock the door and then get back to work. There are more important things going on than stopping a potentially deadly critter running amok in the home, after all... like planning an outdoor wedding reception disco dance party set to a song that goes "Hey hey hey hey hey hey hey. Ha Ha Ha Ha Ha Ha Ha" over and over again.

After all of the guests have left and the young couple lie down to enjoy their first night together as a couple, things suddenly go to hell. Their wedding night bliss is interrupted by a strange, haunting, owl-like noise coming from, you guessed it, the attic. That's followed by a "Here Comes the Bride" record album seemingly starting all by itself. The servant is found unconscious lying at the bottom of the attic stairs, with the door wide open. Chin-Hai then spots a living disembodied hand (!) scurrying across the floor, which promptly leaps out of the window! It attacks and kills someone outside and a detective shows up asking questions the following morning.








Not the type to let little things like reanimated killer hands spoil their plans, the couple pack their bags and head out of town to a resort hotel near the ocean. But something has decided to stow away in their luggage: The hand! It sneaks out, scares a woman in the hallway and neatly unpacks all of the couple's clothes after they step out of the room for just a second. The hand then sneaks out of the room and scares another couple having sex. There's a running joke here that every single time the protagonists attempt to consummate their marriage, the hand always shows up to distract / scare / interrupt them.

But the murderous mitt isn't the only problem the newlyweds face. There's also Shao-Hsieh (Chi-Ping Chang), Yu-Wan's former boyfriend, who still seems to be carrying a torch for his ex and also appears to be stalking them. He not only shows up at their wedding reception unannounced, but also turns up in the same hotel they're staying at. It's probably also worth pointing out that he's missing a hand. After Chin-Hai catches him at the hotel, he punches him out, angrily storms off, jumps in his car and takes off. Yu-Wan is forced to go back to their home alone and miserable, but Chin-Hai comes stumbling in drunk later that night to make her even more miserable. The pissed, and no doubt sexually frustrated, husband then starts giving his new bride the cold shoulder.








I've gotta stop here for a second to express the disappointment I felt the minute these folks returned home. They're only briefly at a hotel and, given the "tour" of the title, I was really hoping they'd be going to one honeymoon destination after another with the hand following hot on their heels to terrorize them. Last thing I wanted was for them to go back to their gloomy house and listen to them go on and on about their marital woes. By the way, the husband is also a big fucking insecure pouty baby who drains every last ounce of goodwill the audience may have for him well before the end.

The rest of the film is downright silly. In order to cheer the depressed Yu-Wan up, her four girlfriends organize a little posse and, during one hilarious scene, strut down the street right toward the camera like bad asses in their ankle-length skirts and high-rise pants, go to the ex / stalker's apartment and beat him up, then return home for a slumber party and start dancing around to disco records while the perverted servant spies on them. There's another mysterious man (Fei Wang) lurking around outside who's been keeping an eye on the home. He's interested in stealing some of the scientist's paperwork outlining his experiments with rejuvenating severed limbs (hmmm...), but he and his henchmen are attacked after they break into the home and swipe documents from a safe. One of the scientist's former colleagues (Wei Chang) finally shows up at the end to explain things with flashbacks.








While this is a truly strange concoction, it doesn't work at all as a horror film and quite frankly doesn't even bother trying until the last 15 or so minutes. Until then, this is a soapy, uninteresting melodrama, with the two leads so caught up in their relationship issues they barely even seem to care that there's a living disembodied hand following them around everywhere and killing people! The hand itself disappears for long intervals while this tends to unnecessary side characters, the boring police stuff and montages of the husband and wife walking or driving around in contemplative thought as cheesy love songs play. Bleh! Speaking of music, the score; a mix of light jazz, bubble gum pop and extremely corny and overbearing horror cues whenever anything "scary" happens, is truly awful.








There are only a couple of things here really worth mentioning. We're all familiar with cat jump scares. Well this one features gratuitous parrot jump scares, with sudden cutaways to the bird squawking and bouncing up and down for no good reason. The parrot finally shuts up when the hand gets annoyed and strangles it to death!

And some of the hand scenes are admittedly amusing, especially where it mails itself back home from the hotel and starts chasing the wife through the woods at the finale. After she falls and is left dangling from a tree branch over a cliff, the hand throws her down a rope she can climb back up and she returns the favor by then beating it with a stick! What's really a shame is that when the action finally does pick up at the very end, some of those scenes are actually pretty fun. Until then, not so much.



I was only able to verify a single home video release from a French company called ASIE Super Vidéograms. Their tape gives both a French (La main fantome / "The Ghost Hand") and a Vietnamese (?) (Bàn tay mà) title as well as French and Vietnamese write-ups on the back cover. I suppose this one tape was meant to be released in both countries though I'm not sure if it's been dubbed into French or Vietnamese or what language subtitles it uses. This also had to have been released on tape or VCD in Hong Kong or Taiwan as the version I watched was in Mandarin. It's never been available in English and the only version that exists is in very poor condition.

Most sources list Tyrone Hsu Tien-Yung (Golden Nun; The Grievance of Meng Chia Muder) as co-director, though the actual credits only give him a "planning" credit.

★1/2

Sunday, January 29, 2023

Ye zhi ji (1980)

... aka: 鬼圖
... aka: 夜之祭
... aka: Devil Design
... aka: Ghost Map
... aka: Gui tu
... aka: Ritual of the Night

Directed by:
Pan Yung Min

1276 China in the setting for the lengthy (nearly 40 minutes long!) prologue. Kublai Khan, the grandson of Genghis Khan, is in the middle of expanding his Yuan dynasty deep into China and ruthlessly massacring any detractor along the way. Though the Mongols have been generally successful, pockets of resisters from the Sung dynasty have sprung up all over. General Ku-Shah (Ying Bai) is tasked with finding these people and killing them before they can pose a threat to Yuan. Upon completion, he's been promised a special reward: Royal marriage to a princess. A battle between Mongol and Chinese armies finds the former easily winning after slaughtering the Chinese troops and decapitating their leader (Chun Ku). The Mongol forces then ride on until they locate an abandoned village and settle there for the night.

There, Ku-Shah and his deputy, Ha-Tou (Han Hsieh), have an interesting conversation about how their spiritual beliefs seem at odds with their constant killing. To Ku-Shah, war is an "inevitable necessity to achieve one's ends" and the creator has made all men to fill predestined roles. God's chess game has but one king and his loyal men. Everyone else is meant to be "dispensable" and thus were created solely to die, which makes it perfectly fine to go around slaughtering them. They're not dead people. They're "destroyed objects."








The arrogant warriors in the midst of celebrating their victory are about to face their comeuppance as the destroyed village they end up in happens to be haunted by the evil spirits of those they'd previously slain. A lumpy-faced, cackling female ghost shows up and men are slashed, impaled with bamboo poles and forced to commit harakiri. Another has his own hand possessed a la Evil Dead 2 (only seven years earlier), which then attacks him and forces him to sever it, yet continues to live on. The Mongol warriors killed return as clawed, hopping vampires in wonderfully atmospheric scenes filled with lots of wind, backlighting and fog. Eventually, all of the Mongolian troopers are either killed or flee, but the narrator informs us that some of them will live on as evil spirits themselves.









We jump ahead 300 years to the Ming dynasty. The country has been led into turmoil due to a corrupt king, a drifting away from Buddhism toward amorality and the rampant use of black magic. The site of the Mongol warrior murders is now the village of Yen-Poi-Yi, which has been haunted by the ghost of Mongol warrior Ku-Shah for the past three centuries. As a result, the village has dwindled down in population considerably and there are only a handful of people still living there. With the arrival of an exorcist comes renewed hope and people start moving back there by the droves. Elder Uncle Lee (Hsiang-Ting Ko) suspects these new arrivals are phonies, especially after they ban mute orphan Lien-Hua (Doris Lung Chun-Erh), whose parents have been killed by the demon, from their festivities due to her presumably being bad luck. Uncle Lee is correct.

While the white-haired exorcist puts on quite a show for the villagers with a lavish parade, chicken blood, fire, smoke, acrobatics and giant spell papers, he's easily blown up / killed by the ghost of Ku-Shah. Everyone flees the village once again, leaving even fewer people than before. Just when things don't seem like they could get any worse, Yen-Poi-Yi is stricken with the plague, killing many of the stragglers. However, traveling monk Ou Ming (Chun Shih) arrives just in time to help. Ou Ming has made it his life's mission to re-introduce Buddhism to the people of China and thus save their souls. He orders all corpses and contaminated materials burned, even if that does upset some of the locals, then concocts an effective vaccine that saves everyone else. After he helps them repair their damaged homes. the sound of playing children laughing is heard around the village; a sign of hope that a new era is about to begin.









Ou Ming has decided that his direct path to Buddha and his final task will be to take on the Ku-Shah demon, thus freeing the tortured, murderous spirit from limbo and setting Yen-Poi-Yi on a path to recovery. In preparation, he shaves his head and then meditates while Lien-Hua gives him a full body tattoo, which will act like a suit of armor during battle. However, he's fully aware going in that this battle is most likely to cost him his life regardless. Sigh. The things we must do for Buddha.









Imperfect, poorly paced and heavy-handed at times, this is still a pretty neat little film which fuses history, religion, war, horror and drama. One thing it is decidedly not is a martial arts or action film as it's categorized on many websites, so don't go in expecting such. Despite the low budget, it's fairly well-made, has its heart in the right place, is often extremely atmospheric (particularly the first half hour) and also boasts some surprisingly creepy distorted sound design and synth music, which may have been stolen from other sources. There are issues with the editing throughout. Some scenes appear to have been clipped short, which may be due to only a heavily-damaged print being available to view. We'll perhaps never know for sure. The chances a 40+ year old Taiwanese genre movie is going to be fully restored at this stage of the game is slim.


Long-forgotten and seldom viewed these days (as of this writing, it doesn't even have the 5 votes necessary to clock a score on IMDb and has just two ratings [including the one I just sent in] on Letterboxd), this was released theatrically in Hong Kong, Taiwan and Thailand and distributed on VHS in a number of countries. There was a U.S. mail order release from World Video & Supply Inc. in 1990, but it didn't come with English subtitles and was falsely promoted as Hong Kong action when it's Taiwanese horror-drama. I also found a Korean video and this was probably also released on VHS in Hong Kong and / or Taiwan. I'm not exactly sure where the English subtitled print came from.

★★1/2
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