... aka: Electrocutor 1
Directed by:
Chris Roache
Aussie producers David Hanney, Charles Hannah and Tom Broadbridge produced four genre films for the international video market in the late 80s. The best known as these now is James Bogle's Kadaicha (1988), which was re-titled Stones of Death for its U.S. video release and was given another chance at life thanks to inclusion in that popular Severin "All the Haunts Be Ours..." folk horror box set a few years back. And then there was Karl Zwicky's To Make a Killing (1988), a sharply-written, surprisingly nasty coming of age drama / home invasion horror, which was appropriately re-titled VICIOUS! (1988) for video and deserves another look. Brian Trenchard-Smith's Out of the Body (1989), which involves a psychic's search for a serial killer, hasn't seemed to build up any kind of reputation whatsoever over the years and is the most difficult of these to find. And then we have The 13th Floor, which was a very well-circulated tape here in American and is still easy to find now on numerous streaming sites since Umbrella Entertainment is handling it. It's currently doing the rounds on Shudder.
At a high rise construction site, young Heather Thompson (Kylie Clare) witnessed her father, Robert (Tony Blackett), and two of his goons kill a man who owed them money, along with the man's young son, who was electrocuted. Twelve years later, now-grown Heather (Lisa Hensley) may have blocked out all of the details from that fateful evening, but the psychological scars remain. As a result, she fell in with the wrong crowd, started doing drugs, dropped out of college and is now living on the streets.
Heather's evil father wants her back home ASAP, not necessarily because he's worried about her but because he's now running for political office and fears what having a troublesome daughter is going to do to his reputation, and thus his chances at winning the upcoming election. Not only that, but prior to running away Heather stole some potentially-incriminating documents that could get him into a lot of trouble. Robert hires sadistic private detective Brenner (Vic Rooney), who has a reputation for violence and getting desired results whatever the means, to find her and the documents.
A completed and functioning high rise building now stands at the same site of the previous murders, only use of the 13th floor (the exact spot of the deaths) has been prohibited. Any business that has attempted to set up shop there in the past has been plagued by problems, namely electrical ones. Since they need a place to stay, Heather, who's now clean, and her best friend Rebecca (Miranda Otto), who's still using, decide to make the 13th floor their new home. They receive help from a friend named Nick (Paul Hunt), who's recently gotten a job there as a night shift janitor. He swings by after hours to bring them food, wine, a TV, pillows and such, and even sneaks some naps in. The girls find another ally in John Burke (Tim McKenzie), who works in the social security office there. He takes such a fancy to Heather that he's willing to break the law and falsify documents just so she can collect a welfare check under an assumed identity.
Brenner ends up catching up to Heather outside the building late at night and chases after her. She eludes him long enough to fall into the clutches of chubby, horny, Schwarzenegger-worshiping live-in security guard Bert (Jeff Truman), who shows her his porn magazines and attempts to coerce her into going skinny dipping. Instead, she pushes him into the pool, steals one of his guns and runs back up to her 13th floor pad where Brenner is already waiting for her. He punches her, pins her down and tries to burn her with a lit cigarette, but she elbows him in the crotch and runs off. Since it's now 40 minutes into this and we've long ago forgotten this was supposed to be a horror film, it then comes as a mild surprise when electric bolts shoot out of a utility closet and Brenner falls to his death down the elevator shaft.
Some other stuff happens, but little of it has to do with the haunting. John's bossy, effete colleague keeps nosing into his business and almost busts him falsifying records, Heather and John have sex and Rebecca, who has an unrequited girl crush on her friend, get jealous and then later overdoses in the bathroom and the dad sends a bunch of violent thugs to break into Heather's records and rough John up. There's a surprise twist toward the end (that actually IS a surprise) and a lively final showdown, but it's difficult to make it there after an entire hour of slow-paced tedium.
One gets the impression that the writer / director wasn't particularly interested in making a ghost / horror movie but because that's the product the producers wanted, he kinda, sorta obliged. He mostly just made a drama here but the characters aren't particularly likable or interesting, the plot meanders and the supernatural stuff all feels like it's thrown on the side. And that's a real shame the first hour is mostly a slog because this eventually does go somewhere interesting. There's some style. It's often quite colorful (lots of blue, green, red, purple and neon) and visual stunning, thanks to cinematographer Stephen Prime. Performances are generally fine, though I'm not sure why every man looks like a broiled lobster.
Though you'd never predict it watching her here, Otto became the breakout star and would go on to appear in several Lord of the Rings films, Spielberg's War of the Worlds, The Thin Red Line and many others. For some reason, there's also ample coverage given to an issue of the men's magazine Mayfair, which features future B-movie star Gail Harris / Thackray (SORORITY HOUSE MASSACRE II) as the cover model.
In the U.S., this was given a VHS release from Paramount in 1990. Australia, Brazil, Canada, France, Greece, Mexico, Netherlands, Spain and the UK also got to share our pain with a release of their own. If there's an official Blu-ray or DVD release, I'm not aware of it.
★★
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