.
.
.

Friday, February 27, 2015

Robo Vampire (1988)

... aka: Robovamp

Directed by:
"Joe Livingstone" (Godfrey Ho?)

Utilizing many different aliases, Godfrey Ho made dozens of movies in just a ten year time span from 1980 to 1990. After a brief tenure at Shaw Brothers in the mid 70s, Ho worked primarily for two companies: one he himself started along with former Shaw colleague Joseph Lai (ASSO Asia Film / IFD Films & Arts) and Tomas Tang's Filmark International Ltd. The two companies are often confused with one another because they frequently made movies the same exact way... and that way was the cheapest and laziest way imaginable! Their process began with acquiring the rights to Asian films that were either unfinished or films thought to be un-releasable to English-speaking audiences. These films were then completely re-cut (removing huge portions and completely altering the original plots in the process) and had brand new cheaply-shot footage added to the works, most often involving ninjas because they were big at the time and featuring the same stable of Caucasian non-actors. The footage was then all cobbled together with an English-dub laid over top trying to make sense of it all. And just like that they had "new" films to market and sell to unsuspecting Western audiences. American director Jerry Warren had previously pioneered this technique with movies he'd acquired from Mexico, Chile and Sweden, but he never made a cottage industry of it like Ho, Tang, Lai and Lai's wife Betty Chan did.







Robo Vampire is one of Ho's Filmark movies and it's a cheap rip-off of both Robocop (1987) and Ricky Lau's popular MR. VAMPIRE series, which started in 1985. Actually, despite the title, this is more a rip-off of the latter than the former. The very first scene features a pair of American soldiers, Asian drug dealers, snakes, explosions and a hopping (and flipping!) vampire that bites a huge chunk of flesh out of one guy's neck. That's followed by a comic scene right out of the Mr. Vampire series as two bumbling idiots - Ken (Sun Chien) and Tony (Chiang Tao) - have a slapstick fight with more reanimated hopping vampires that involves the usual smoke, sparks, spell papers, crotch hits and lids levitating off of coffins, as well as a flying chicken (?!) and a Ching-Ying Lam knock- off Taoist Priest (played by Suen Kwok-Ming) with bushy eyebrows. Only in this film, the priest and his underlings are actually bad guys working on "The Vampire Project" for a Caucasian HK drug smuggler named Boss Coles.







The priest believes that "All anti-drug agents... should... be terminated... AT ONCE!" and eventually gets a lady ghost named Christine and a rotten-faced, long-haired acrobatic zombie named Peter (who later want to "consummate" their post mortem romance!) on his side. He uses them to defeat a group of American soldiers, killing an anti-drug agent named Tom in the process. Tom's body is taken to a lab, where a group of scientists decide to turn him into "an android-like robot" i.e. an incredibly-cheap- looking RoboCop clone they dub "Robo Warrior." The new robot crime fighter speaks in an electronically-altered echo voice and battles all of the bad guys in numerous scenes featuring gratuitous machine gun firing and karate fights, shoddy wire work and even shoddier editing and continuity. Since that was apparently not enough action for a single film, the movie then splices in scenes from a Thai action movie featuring hunky Sorapong Chatree (KRAI THONG) as Ray, a mercenary-for- hire who sets out to save an American narcotics agent named Sophie who's being held hostage and tortured via the Chinese water drip method.







The female ghost wears a sheer dress the entire time and goes topless for an entire fight scene and there are other strange moments like Robo -Warrior being blown up with a rocket launcher and being reassembled a second later, a woman cutting open a cow carcass and stuffing bags of drugs inside and a massacred village where dead children litter the streets and corpses hang from upside down crosses. While this has its share of fun dumb moments (most due to laughable dubbing), it's extremely difficult to follow, the non-stop chaotic action becomes numbing after awhile and the added Thai footage - which makes up around half of the finished film - constantly interrupts the flow of the crazy HK footage and is downright dull by comparison. In other words, this isn't an easy film to sit through.







The same team previously made Devil Dynamite (1987), which is similar to this one in many ways, including the whole criminal underworld / drug smuggling angle, the hopping vampires, the evil priest and a crime fighter dressed in a cheap-looking silver outfit (though one's a super hero and the other's a robot). This is a slight improvement over Dynamite, which admittedly isn't saying much. Both Dynamite and Robo Vampire are, respectively, the first and second entries in what some fans have dubbed "The Robo Warrior Trilogy." The third and final entry in this unofficial series is Counter Destroyer aka The Vampire Is Alive (1989).



It's also worth pointing out that in a joint interview with the websites HKCinemagic and Nanarland (read it RIGHT HERE), Ho himself denied making some of these films, which are possibly falsely accredited to him. In the interview, he claims "The only names I used are Godfrey Ho, Benny Ho, Godfrey Hall or Ho Chi Keung. Other names are not me." However, that doesn't take into consideration the common practice of Anglicizing names by distributors, which could have easily been done without his knowledge. They did so with most of the actors and crew people in nearly all of these films, so why not him?

★1/2

Thursday, February 26, 2015

Bela Lugosi Meets a Brooklyn Gorilla (1952)

... aka: Boys from Brooklyn, The
... aka: La isla de los gorilas (Island of the Gorillas)
... aka: Lugosi Meets a Brooklyn Gorilla
... aka: Monster Meets the Gorilla, The
... aka: White Woman of the Lost Jungle

Directed by:
William Beaudine

William Beaudine, one of the most prolific directors of all time with well over 400 film and TV credits to his name, was at the helm of this notorious turkey that reunited him with horror legend Bela Lugosi, who'd previously played mad doctors in the Beaudine films The Ape Man (1943) and Voodoo Man (1944) and plays the same here. Called White Woman of the Lost Jungle in the early stages, this was filmed in a little over a week for no more than 50,000 dollars (some sources claim as little as 12,000). Besides the presence of Lugosi, it's also notable for attempting to cash in on the Martin & Lewis craze going on at the time by drafting nightclub crooner / Dean Martin clone Duke Mitchell and the inhumanly irritating Jerry Lewis wannabe "comedian" Sammy Petrillo for the lead roles. This was actually going to be the first of many vehicles for its stars (a horrifying thought) until Paramount producer Hal B. Wallis (who had Martin & Lewis under contract at the time) threatened to sue. According to associate producer Herman Cohen, after the film was completed Wallis attempted to buy the film in hopes of destroying it, but that obviously never happened. Perhaps it should have!




On their way to Guam to entertain the troops (as if war isn't bad enough already without having to be subjected to these two!), Duke and Sammy crash land their plane on a tropical island called Cola-Cola and are taken back to a village by a peaceful native tribe ruled over by Chief Rakos (Al Kikume). There, they are treated to a luau, dancing and all the bananas they can eat, and also find a little time for romance. In Duke's case that's a good thing, as the chief's pretty daughter Nona (Charlita), who conveniently speaks English because she was educated in America, shows interest in him after he swoons her with a wretched song called "Deed I Do." In Sammy's case that may not be such a good thing as he's paired up with Nona's persistent kid sister Saloma (Muriel Landers) - whom he refers to as "two-legged blimp" and "baby elephant" for obvious reasons - and she won't take no for an answer.







Since the above isn't enough monkey business to sustain a feature, Lugosi shows up to help provide some in the literal sense. His character - Dr. Zabor - is the only white man living on the island and he's there doing some kind of research involving evolution that he sums up in just a few lines of incomprehensible dialogue. Nona works in the doctor's lab and when she and Duke begin seeing one another, Zabor (who's in love with his young assistant and thus extremely jealous) decides to use a special serum he's devised that can devolve animals to an earlier developmental stage to transform Duke into a guy-in-a-cheap-monkey-suit gorilla. The resolution to the story is actually pretty clever and amusing. It's just the tedious journey there that's the problem.








What really sinks this silly but potentially amusing movie is Petrillo, who speaks most of his dialogue in a forced / high-pitched / squeaky / whiny voice, screams, mugs and makes Lewis' annoying shtick almost look restrained by comparison. He's not the least bit funny and all I kept thinking was how much better this film would've been had HE been transformed into a gorilla instead of his more docile partner simply because we'd no longer have to listen to his grating voice. The highlights for me personally were some cute scenes centering around "Ramona the chimp," who's actually billed on some of the posters and is supposedly played by the same chimp who played "Cheeta" in the Tarzan movies.







As far as Lugosi is concerned, he plays his role straight (despite being given lines like "I'm Dr. Zabor. Welcome to my creepy joint!") and is fine. If anything, this film proves that it does indeed get worse than starring in Ed Wood movies as the films Lugosi made for the supposed "worst director of all time" are infinitely more interesting and entertaining that this one. Now a common public domain title, Brooklyn Gorilla is extremely easy to find on cheap DVDs or online for free.

★1/2
Related Posts Plugin for WordPress, Blogger...