Bloody New Year (1987)

... aka: Horror Hotel
... aka: Time Warp Terror

Directed by:
Norman J. Warren

First off, let me take a second to wish friends and visitors alike a very Happy New Years. Hope everyone had a great holiday and no one's too hung-over today.

After having already made the sleazy devil cult shocker SATAN'S SLAVE (1976), the alien-terrorizing-lezbos trash-fest ALIEN PREY (1977), the bloody witch flick TERROR (1978) and the alien-knocks-up-Judy-Geeson-in-space ALIEN clone INSEMINOID (1981), British director Norman J. Warren decided to tone it down a notch for this haunted hotel flick; his final genre feature to date and also one of his best distributed here in America during the VHS era. Couples Janet (Nikki Brooks) and Rick (Mark Powley) and Lesley (Suzy Aitchison) and Tom (Julian Ronnie) are enjoying a nice day at a beach-front carnival. Their girlfriend-less third wheel bud Spud (Colin Heywood) is on the prowl for a girl of his own. Luckily he spots American tourist Carol (Catherine Roman) getting harassed by some punks on one of the rides. He and his friend rescue her and take off on a sailboat. They run into some rocks, their boat sinks and they're forced to swim to a nearby uninhabited island. After walking inland a little ways, they stumble onto the Grand Island Hotel.

Upon entering, the hotel appears to be abandoned. No staff is there to greet them and it's still decked out in Christmas and New Years decorations in July. They go ahead and make themselves at home to the drinks, food and even clothes they find in some of the rooms. Everything seems trapped in the 1950s; 1959 to be exact, and that's because the young folks have stumbled into some kind of time warp. The electricity flickers on and off, people (a maid, a band...) materialize and then seem to disappear into thin air and stuff starts moving by itself. And that's just the start of the weirdness. After sitting through a screening of FIEND WITHOUT A FACE, a reel with home movie footage of the hotel comes on screen. A sheik, who's black-and-white like the film footage, jumps off of the screen and kills one of the guys. Everyone else tries to run off but find that leaving isn't such an easy task. The entire island - not just the hotel - is rampant with ghosts, supernatural forces and animated everyday objects out to kill them.

Once things are messed with they return to how they were before they were touched using reverse film fx. Invisible spirits chase people through the woods while a sitcom laugh track plays. TV sets air old news programming. A monster pops out of a tablecloth and attacks. A fishing net, a banister, a pool table, an entire kitchen full of stuff and many other things spring to life. Outside, there's a plane crash and an undead ghostly pilot whose head explodes. Footsteps appear in the sand. A blizzard erupts inside a house. Someone gets consumed by an elevator, another gets chopped up with an outboard motor and a head gets twisted around several times. All of the victims return as hideous ghosts to attack the others. The explanation has to do with a top secret government device (unleashed there during the plane crash) that has warped both time and matter, but that's not really important. What's important is that this movie is loaded with all kinds of crazy, imaginative things.

Bloody New Year starts out pretty rough. The performances are mediocre at beast, the characters are a little on the obnoxious side (just count how many times someone rudely pushes someone else off who's trying to help them), there are many abrupt and awkward editing cuts and people also have the annoying tendency to freak out and run away from the others anytime something odd happens (which is often), particularly the annoying Janet character. However, once this hits its stride in the second half, it's very busy, colorful and brainlessly entertaining. There are many unusual surprises in here if you're patient and can wait for them. Special effects are quite good and the band Cry No More contribute several catchy songs to the soundtrack.

Faults and all, if you're going to ring in the New Year with a holiday-themed genre film, this is a much better choice than the awful slasher flick NEW YEAR'S EVIL (1981). Academy released this on VHS and it was issued on DVD by Image Entertainment in 2004.

★★1/2

Der Zinker (1963)

... aka: Edgar Wallace a Scotland Yard
... aka: L'énigme du serpent noir
... aka: Secret of the Black Serpent, The
... aka: Squeaker, The

Directed by:
Alfred Vohrer

The novels of prolific mystery writer Edgar Wallace were the basis for dozens of krimi (crime flicks / murder-mysteries) produced in West Germany throughout the 1960s. The vast majority were detective stories and many also included pronounced horror elements. These stylish and well-shot productions are now frequently seen as precursors to the Italian giallo movement, though they just as often recall the spirit of the old Basil Rathbone Sherlock Holmes films. The Squeaker falls smack in the middle of these two trends; it has the well-structured plotline indicative of the Holmes films, as well as some of the violence and visual style of the gialli. Of course krimi were much milder than their later cousins. With time, these things got bloodier and sexier thanks to crumbling censorship laws and the demands of a changing audience. However, gialli usually spent so much time orchestrating the murder sequences that the screenplays really took a hit and logic rarely ever reared its ugly head. Though the horror elements are somewhat subdued in this particular Wallace entry, The Squeaker finds a comfortable place where the visuals enhance the story instead of attempt to entirely make up for a lack of one.

A black-gloved killer nicknamed "The Snake" (who signs his letters with an "S") is going around London poisoning people. And he or she has a really ingenious weapon at their disposal: a slim steel rod which they load up with frozen pellets of mamba poison and shoot into victims. The murders center around a company called Mulford Ltd., which specializes in both the importing and breeding of rare exotic animals, and it's up to Scotland Yard Inspector Bill Elford (Heinz Drache) to crack the case. Elderly Nancy Mulford (Agnes Windeck), whose husband had committed suicide years earlier and left the business to her, owns Mulford Ltd., but has dished out most of the responsibilities to manager Frankie Sutton (Günter Pfitzmann), who also happens to be dating her niece Beryl (Barbara Rütting), a mystery novelist. Several other people work in the warehouse tending to the animals, including Krishna (Klaus Kinski), an oddball who barely ever talks and, as the film opens, is seen stealing a black mamba from his work. He's clearly in on things, but is he "The Snake?"

Several other characters are thrown into the mix. Feeling charitable, Nancy decides to hire convicted criminal Thomas Leslie (Jan Hendriks), who's just spent two years behind bars, to work in her warehouse. He and Frankie's secretary Millie (Inge Langen) are both seen at various points trying to crack into the company safe. One of the first victims is tied into a crime ring which specializes in jewel robberies where one member fakes having a heart attack to distract police while the others hold up the stores. For some comedy, Eddi Arent's "Telegraph" newspaper reporter Mr. Harras, is injected into the proceedings. His subplot involves him trying to please his crotchety boss Gerald Fielding (Siegfried Schürenberg) by getting the scoop on the murders before a rival reporter for another newspaper can.

Things start out a little overwhelmingly. There are a lot of characters to keep track of, and some odd and seemingly random things that happen, but this manages to tie everything together nicely by the end. It's both well-structured and well-written, managing to entertain and keep you guessing as the mystery unfolds. The actors all do a fine job and the characters are enjoyable and adequately fleshed-out. Kinski has a particularly fun role. He gets to crawl around on the floor, fondles and kisses snakes, locks a woman inside a cage with a tiger, has a shipping crate with a corpse and python inside dropped hundreds of feet from a crane and goes crazy with a machine gun at the very end. A man is run over, a mamba is snuck into someone's bedroom and there are some other good suspense set pieces in here. In addition, there are a few amusingly bizarre camera shots, including one inside someone's mouth as they eat a carrot!

Director Alfred Vohrer, the busiest director of these kinds of films, left behind an impressive number of krimi. In addition to this one, he also made DEAD EYES OF LONDON (1961), THE DOOR WITH SEVEN LOCKS (1962), THE INN ON THE RIVER (1962), THE INDIAN SCARF (1963), THE MYSTERIOUS MAGICIAN (1964), HUNCHBACK OF SOHO (1966), THE BLOODY DEAD (1967), COLLEGE GIRL MURDERS (1967), THE HORROR OF BLACKWOOD CASTLE (1967), THE APE CREATURE (1968), THE ZOMBIE WALKS (1968), SCHOOL OF FEAR (1969) and TERROR ON HALF MOON STREET (1969) and probably a few more I'm forgetting. Damn, I have a lot of catching up to do. The Squeaker is the first of these I've seen and I hope the others stack up. This was quite enjoyable.

★★★