... aka: Magias do Mal (Evil Spells)
... aka: Qui a peur du diable? (Who's Afraid of the Devil?)
Directed by:
Fred Olen Ray
This has a lot in common with Jim Wynorski's Sorority House Massacre II. They were both filmed at around the same time on a budget of around 150,000 dollars, have a (very good) Chuck Cirino score and have the same basic plot about a handful of busty, nightie-clad babes trapped in an large old house where one becomes possessed by an evil spirit and starts killing off all the others. Both films are also filled with tongue-in-cheek humor and endless in-jokes that you can only appreciate if you've seen your fair share of exploitation / horror / trash movies, as well as a weird next door neighbor character who's always lurking around outside and appears to be stalking the girls. Oh yeah, and let's not forget a generous helping of T&A, as that's one of the chief reasons these movies were made in the first place and why they excelled on both the home video market and late night cable. In my opinion, Wynorski's film (despite being less ambitious) is the better of the two because the dialogue is consistently funnier and it somehow works as both a slasher flick (with plenty of the expected bloodshed) as well as a send-up of exploitation films, whereas this one doesn't work very well as a horror film and is more straight-up camp. Still, if you know what you're getting yourself into and are familiar with the director and cast, Toons is a silly, upbeat and pleasant enough way to kill 83 minutes of your time.
The home where sorcerer Gideon Fisk (a somnambulistic David Carradine) hung himself because of an evil, talking book many years earlier is now being sold by Burt Wentworth (Dick Miller), who's in need of a clean-up crew pronto before the new owners can move in. Enter Terry (Suzanne Ager, Ray's girlfriend at the time), Megan (Monique Gabrielle), Roxanne (Madison Stone) and Jan ("Stacey Nix" aka Barbara Dare), who apparently all work for some cleaning company but show up for work dressed like Hollywood Blvd hookers in cut-off Daisy Dukes and spandex. The girls are paid a whopping 100 bucks apiece to spend the weekend there and tidy the place up, but after some exploring around and an impromptu strip-tease, Carradine's character shows up at the front door to deliver a special package. Inside is the evil book and the nerdy Megan picks the wrong passage to translate; unleashing a wolf-like cartoon demon in the process. It promptly possesses Roxanne and she begins killing everyone off with eventual plans on releasing other demons from the book after she's harvested a few souls for Satan.
While this was heavily-promoted as a Roger Rabbit-style merging of cartoon and live action in a horror-comedy context, you'll be extremely disappointed if you expect too much. There are only two toon sequences in the film lasting just a few minutes apiece and only in one of them does the Chas Balun-designed demon really interact with one of the actors. That said, the fact they were even able to pull off that much for so little is impressive for the time and budget. There's not much plot to speak of but in lieu of that we get some spirited bad acting, lots of corny dialogue (only some of which is funny), a few semi-famous stars in small roles (Arte Johnson is also on hand as the pervert neighbor) and nude scenes provided by each of the female stars. Miller ends up with the most amusing bit and has a very funny scene watching himself in A BUCKET OF BLOOD on TV ("How come this guy never won an Academy Award?") and then spurning the sexual advances of his sexpot wife ("Special Guest Star" Michelle Bauer), who then is forced to retreat to her bedroom alone with her chainsaw!
The biggest surprise of the cast is certainly hardcore porn actress Madison, who's extremely lively and, eh, animated (may as well use a bad pun myself since this film is full of 'em!) in her role. Her over-the-top, eye-rolling facial expressions and bizarre Valley Girl dialogue delivery make for a welcome contrast next to the more wooden performances from many of her co-stars and it's actually kind of a shame she didn't end up in more of these. Madison appeared in both this and the R-rated NAKED OBSESSION (also 1990) very early on in her career so it's possible that at one point she was attempting a "legit" career in B movies before transitioning over to adult. Same can not be said for fellow adult actress Dare, who acted in this right as she was exiting the adult industry for good. While not a great actress, this may also be Gabrielle at her very best. She's oddly endearing playing a shy / innocent character for a change, plus her 'mirror scene' reveal is probably the most memorable moment in the entire film.
Ray, who also scripted under the alias "Sherman Scott" and co-produced, had initially attempted to get financing for this project from Roger Corman, but his request for 250,000 dollars was rejected because Corman felt it couldn't properly be done on such a small budget. Instead, Ray ended up mostly financing the film himself... and for 100K less! While the animation is minimal, it's fairly well-executed under the circumstances. Ray also provided a distorted voice over for the monster and book, while an uncredited Robert Quarry voiced the demon. As per his usual, Gary Graver did a fine job shooting it, though the mostly-subdued use of colorful lighting (this would have been the perfect time to go all-out!) feels somewhat like a missed opportunity.
After it made its VHS debut via Prism in 1992, Ray's company Retromedia handled subsequent distribution. There was a 2002 DVD release, a 2010 "20th Anniversary Special Edition" DVD release, which comes with a Ray commentary track, and a 2017 "25th Silver Anniversary Edition" Blu-ray release, which is a marked quality improvement over all previous releases, features a new Ray commentary track and lots of other extras.
★★1/2
8 comments:
I used to confuse this and Terror Toons. This is certainly the better of the two... which is admittedly not saying much.
made over eight days in july 1990, using the equipment from FOR's uncredited opening scene re-shoot on CAMP FEAR (1991). [i recommend the book suzanne ager's reading -- THE FRANKENSTEIN WHEEL. surprisingly well-written early seventies pulp about the baron's kindly, intelligent creation looking for a mate.]
hate to acknowledge, as of 2021, that EVIL TOONS (& TEEN EX) does not get me near as high as it used to. HAUNTING FEAR still works. slightly wary of revisiting the others.
Oh yes, Terror Toons is awful.
I find Evil Toons more fun now than I used to (boosted the rating by half star from my previous viewing). May be one of those you just have to be in the mood for.
I've only seen Teenage Exorcist once and that was quite a long time ago. Not sure how I'd feel about it now.
> I've only seen Teenage Exorcist once
11th viewing last year, first since 2015. the underwhelming blu didn't help. better than the old DVD of course, but they put two films on a 25GB disc and the quality really suffers. might be something slightly off with the A/R, too.
i could easily see myself coming back around on EVIL TOONS, just not to where it used to be in my top three for the year ahead of INNOCENT BLOOD & CANDYMAN . . . i know '92 wasn't great horror-wise, but...
Had to look back at 1992 but I'm pretty sure my top 3 is set in stone: Candyman, Braindead / Dead Alive and Innocent Blood. And I don't see that changing based on a list of titles from this year I just looked at.
Seems like most of the well-regarded horror films from this year I find very overrated. Many viewers would place Coppola's Dracula at or near the top but I've never much cared for it. It looks fantastic and Oldman is good but I just can't get over the terrible casting of Keanu Reeves and Winona Ryder... and I generally love Winona's work from this time, just not in THIS film. And then there's Dust Devil which is stylish, well-shot and has some cool ideas yet mostly leaves me cold. Army of Darkness is also widely-loved but it's not up to the first two Evil Dead films IMO (yet still one of the better genre releases this year).
Lots of garbage sequels: Children of the Corn 2, Gate 2, Pet Sematary 2, Prom Night 4, Stepfather 3, House 4, Alien 3... bleh! AOD and Amityville 1992 are probably the best of the bunch and they're just OK to me.
So with all that said, Evil Toons may actually crack my Top 10, but admittedly it's not a very good year!
my current 10, w/ LB rankings. EVIL TOONS still places high. AOD & BRAINDEAD need a re-watch.
CAREFUL ★★★★
INNOCENT BLOOD ★★★★
CANDYMAN [estimate 4★s, unseen since '93]
EVIL TOONS ★★★1/2
RAAT ★★★
HELL SPA ★★★
AMITYVILLE: IT'S ABOUT TIME ★★1/2
FORCED NIGHTMARE ★★1/2
LOVE BITES ★★1/2
MIDORI ★★ [this should probably be above LOVE BITES]
a few years back my previous attempt included AUNTIE LEE'S MEAT PIES, GHOST PUNTING & STATE OF MIND, and only had eight titles. still haven't seen DRACULA or DUST DEVIL.
Ah, Careful is apparently one I need to see! I remember it being recommended to me years ago. I've also not seen Forced Nightmare and Midori so I'll keep an eye out for them.
I watched Auntie Lee not too long ago. Not really good but I was amused by it.
> Lots of garbage sequels
noticed that. made me wonder when horror sequels really went into overdrive. i could only think of four (for theaters) in 1985. starting in '87 there's about 15-20 a year. 1990 actually has the most (25) but that's including SHAKE, RATTLE & ROLL II, FACES OF DEATH 4, and two HOUSE OF POPs. 1992 had an even 20 if you move up GATE II from 1990.
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