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Friday, September 10, 2021

Kostnice (1970)

... aka: Костница
... aka: Ossuary, The

Directed by:
Jan Svankmajer

In the late 1200s, an abbot was sent to The Holy Land and returned with some earth taken from the exact location where it's reputed that Jesus was crucified. The earth was then scattered at a burial site located next to a monastery located in Kutná Hora, Sedlec in what is now Czechia. Because of that notoriety, it became the desired final resting place for many. Seeing how both a major war and the Black Death were both right around the corner, that many really was many. We're talking tens and tens of thousands; enough to where the cemetery had to be greatly expanded to accommodate all of the corpses coming in. Over a century later, a large Gothic church was build in the center of the cemetery and a lot of skeletons that had to be exhumed in the process. The bones were initially just collected and stacked. In 1870, woodcarver and carpenter František Rint was given the task of doing something with these bones. Instead of re-burying them, he decided to construct elaborate statues out of them, which were then put on display in the basement chapel ossuary of the church. It is said that the bones of at least 40,000 people or as many as 70,000 people were used in these creations!

Though this sounds (and looks) like something right out of Texas Chainsaw Massacre, some see this as a beautiful, even calming, place to visit. As a result, the Sedlec Ossuary has become a top tourist destination in the Czech Republic. It attracts both thrill-seekers with morbid curiosity and the very devout and religious and both of these groups get an entirely different experience out of the place.








As we get a good look at the place, we hear the voice of a cranky and bizarrely money-centered female tour guide throughout as she gives a lecture of the place to young students, and learn a bit about the place's history. The guide claims that 70,000 skeletons were used and 30,000 people were buried there in just one year due to the plague and Hussite / Bohemian Wars. And we learn that Rint, his wife and his two children spent a whopping 10 years down there boring holes in bones and stringing them together to create their, as-she-calls-them "horrific art" sculptures... which sounds like a horror story all its own. I'd be interested in knowing  more about how those kids turned out!

The guide also repeatedly threatens the students and lets them know they will be fined 50 crown apiece for touching any of the bones. Apparently, some poorly-behaved schoolchildren took it upon themselves to write their names and other messages in ballpoint pen on the skulls when no one was looking. She also claims that college students had come there and stolen bones as souvenirs.

Since some things never change, just a few years ago the chapel had to institute a new rule that selfies and other photographs could no longer be taken there without permission. According to a 2019 article on Kafkadesk, "The Sedlec Ossuary has unsurprisingly become one of the most Instagrammable places in the Czech Republic, a fame with rather unsavory consequences: tourists removing bones from their display, touching them despite obvious signs forbidding them to, or even putting sunglasses or hats on skulls for their quick snapshots."








Naturally, the main draw of this 10-minute piece is the ossuary itself, which is a truly fascinating place with a fascinating history. The bone sculptures, including a giant chandelier and a coat of arms, really are impressive pieces of macabre, ornate art. The constructor was even kind enough to leave his own "signature" behind plus the date of construction... all spelled out in bones! Svankmajer, who's best-known for his later (usually very good) stop-motion films, could have just let the place do the talking for him but decides to liven things up with lots of jerky camera movements, pans, pivots, out of focus shots, zooms and flash editing. Though that may annoy viewers just wanting to take a long lingering look at the place, he does smartly use both medium and close-up shots so we can get both a good look at the pieces as a whole and closer inspection so we can see just how intricate the designs actually are.








There are several versions of the film out there; one with the tour guide voice-over (which is available subtitled in English), another featuring a man reciting a poem but with only music added once we enter the chapel of bones and yet another with just music and nothing else. This is available on a number of Svankmajer box sets, including "Jan Svankmajer: The Complete Short Films" from BFI and "Jan Svankmajer: The Ossuary and Other Tales" from Kimstim.

★★1/2

Fright Night of the Living Dead (1986)

Directed by:
Josh Eliot

Gary (director / editor / co-writer Eliot), Alvonne (Alvonne Robinson) and Brian (Brian Wayne, who also wrote) are three roommates living in a large white house in the small New England town of New Bedford. Brian goes to take the trash out, which for some reason involves him first going into the basement. Something that we never see then attacks him off-screen and he emerges with puncture wounds on his neck before transforming into some pasty-faced cannibal-vampire-zombie thing (hence the title intentionally bringing to mind two popular horror flicks from the previous year). When his two roommates return home, he attacks and partially eats them and transforms both of them into creatures, as well. Despite being monsters, the trio continue to talk and bicker with one another, smoke cigarettes and whine about where their next meal will be coming from. Since he's the "leader," Brian can exert mind control over the other two.

We then meet a few other characters, starting with a bride-to-be (Mary Bolanos) waking up in a panic about her bridesmaid possibly not showing up to her wedding. That ends up not mattering so much when the vampire-zombies burst into her bedroom, stab her to death with hedge clippers, cut off her arm and eat her. Another girl named Lana (Katiuska Bolanos) then starts panicking because she hears a news broadcast about zombies. She calls up her neighbor Tracy (Tracy Ousdahl) to warn her there are "Three living dead killing people" on the loose, to which her friend responds: "What ah ya talkin about? No way! Living dead walkin' around? What? You've been reading too many... What are... You've been watching too many movies Lana!"









Tracy soon comes to regret her flippant attitude when the monsters come after her. They chase her around her house and through the woods and then kill her neighbor. Tracy bumps into news reporter Paul (Paul Madden), who's been bitten one of the ghouls, and has sex with him about two minutes later. The two then go to the home where the outbreak started to kill off the vampires. As for how they know who the vampires are, where they live or to go directly into the basement, well, your guess is as good as mine. There are a few heart stakings and a (non-)surprise transformation for the reporter, plus a "one year later" final scene featuring a Realtor and a prospective buyer getting slaughtered, including an ice pick to the head.









Shot on video for 300 dollars and filmed over the course of several years, this 46-minute, made-it-up-as-they-went-along amateur film played at the San Francisco Video Festival in 1986 but never received a home video release. In fact, it wasn't seen again until late 2020 when the director re-edited it, re-scored it to remove copyrighted music and added new credits and video effects (mostly terrible CGI blood splatter to "enhance" the murders when they would have looked much better without that) to it. He then uploaded it to his Youtube channel. Because of the degradation of the colors over the years, it's been turned into a black-and-white movie.









I had no clue who Eliot was prior to viewing this but apparently he's best known as a very prolific (over 150+ movies per iafd) maker of gay and bisexual adult films, usually for the company Catalina Video. Seems he stopped making films altogether in the mid-2000s. He also made the genre short Behind Blue Eyes (1980) while a student at the San Francisco Art Institute.

★1/2

Thursday, September 9, 2021

Torment (1990)

... aka: Rozdarcie

Directed by:
Michael J. Murphy

Anna Bell (Debbi Stevens) is a controversial, obscenely-wealthy hot blonde pop singer in the Samantha Fox mold, as well as a tabloid fixture. Hounded by the press who obsess over her every move (and a recent breakup she's had with a high-profile actor), Anna has decided to take it easy for awhile in a large country home she purchased three years earlier but, as of yet, hasn't had the opportunity to stay in. That's how busy she's been. Her big-haired manager Mike (Philip Lyndon) keeps trying to convince her to come back to London to record, but Anna refuses the offer. The singer, already on the verge of a nervous breakdown and stressed to the breaking point, needs some peace and quiet to recuperate. She also has a bit of problem with pills and booze she's hoping to kick. Besides, nothing's stopping her from continuing to write songs right where she is. Anna doubles down on staying even after discovering that a girl in the nearby village has just been found strangled to death. Having to go back to London, Mike makes her promise to keep her doors locked and tells her he plans on sending her some company... whether she likes it or not.

One day there's a knock on Anna's door. It's a friendly and boyish-looking young man named Mathew (Rob Bartlett). A handyman, he gives her his card and offers to fix her damaged fence. She reluctantly agrees, so long as he doesn't bother her while she's trying to work. While he's there, she realizes that having him around may not be such a bad thing. Besides, there's a huge amount of work to do. She gives him a list and Mathew becomes a frequent presence around the home.









With Mike putting pressure on her to continue writing songs and Anna lacking the inspiration to do so, she finds herself being drawn to plain, simple-minded, breath-of-fresh-air Mathew and his ordinary, leisurely life. The two start spending time together, he agrees to show her some of the area's beautiful scenery and the two are soon finding themselves having romantic feelings for one another. But the party is crashed by the arrival of Anna's choreographer Guy (Patrick Olliver), who's been sent there by Mike to keep an eye on her. Guy is a flamboyant "queen" and not in that nice / funny kind of way but in the bitchy / asshole-ish kind of way. He also wears a ridiculous wig.

After Guy runs Mathew off, he returns home and jerks off to one of Anna's music videos. He then burns all of the posters and photos of her he has plastered all over his walls. You could say he's a bit of a fan. Or was. To make matter worse, Anna's sister Fiona (Catherine Rowlands) shows up for an extended visit and the two sisters don't get along well. The stress causes Anna to fall right back off the horse. Sensing her unwanted guests are getting to her and have always been the source of her problems, which isn't entirely inaccurate because both Mike and Fiona have been living off Anna's back (the manager also keeps plying her with the pills), Mathew decides to help her out. And by help her out, I mean murdering everyone around her.









After an embarrassing dinner party where a drunk Anna makes a fool of herself and Fiona and Guy both let her new amour know he's not welcome there, Mathew stabs Guy to death in the kitchen. He hides the body, burns his belongings and makes it look like he snuck out in the middle of the night. However, a suspicious Fiona finds him with one of Guy's handkerchiefs and the two sisters make a run for it. At the police station they discover it is indeed Mathew who's suspected of strangling that local girl. Apparently she made the terrible offense of singing one of Anna's songs (gulp!) off-key and then bad-mouthing her, so she had to go.

The manager shows back up and concocts a lie that the police have apprehended Mathew just so he can stage a comeback concert for Anna at a small local venue. During the concert, Anna spots Mathew in the crowd and then her actor ex-boyfriend Craig (Alan Jansen) is found slashed to death in a stairwell. Anna and Fiona return to the home to pack their belongings, with plans of immediately heading to London. Mathew kills a cop, kills Fiona and then plans to pick up just where he and Anna left off, "just like a young married couple." But Anna, who has since pretty much gone completely insane, has other ideas in store for him. She cracks a bottle over his head, puts on a disguise, goes to a hardware store and returns with a goody bag of stuff to torture him with.









The booze-soaked "revenge" conducted by Anna starts with her tying him to a chair and belittling him. She then refuses Mathew food and water whilst gorging herself right in front of him to rub it in. When he pisses himself, she rips his clothes off with a knife and throws him into a scalding hot shower. She also dresses sexy and gives him a lap dance (?!) and ends up killing somebody and burning their body in the front yard while smoking a cigarette and wearing fishnet stockings. I must admit seeing a butt ass naked guy being tortured for twenty minutes did make for a nice change of pace since almost always a woman placed in that same scenario.









Despite being ineptly edited and shot half the time (some of the awkward dialogue scenes are also pretty painful to sit through), this isn't completely worthless. Things begin strongly as it establishes the attraction between, and then the early relationship of, the singer and the she-doesn't-know-it-yet obsessed fan. Unfortunately, that's the first 20 or so minutes and this then resorts to filler to pad out the mid-section. We get two (very cheap-looking) Anna music videos plus two songs performed almost in their entirely at an Anna concert, with her writhing around on stage in a red, skin-tight latex dress. Stevens does her own singing and is the most entertaining cast member by far. It's mostly the annoying supporting characters who drag this down a bit, though I guess they needed a certain number of unsympathetic victims to kill off. The last 20 minutes are pretty silly, but not boring.

There are some bloody death scenes, lots of Italian-style light-shining-off-blade shots, plus enough nudity and sex to put this in the "erotic thriller" category, though it predates the huge spate of DTV erotic films that went on to dominate late night cable in the 90s and 2000s by a few years. Shot on 16mm, this was virtually unseen during the video boom era. The only VHS release I was able to find was a Polish one under the title Rozdarcie. In 2004, it was shown on the Horror Channel out of the UK and, in 2010, it was released on DVD-R by IFM World Releasing. Still, this is seldom-seen and, as of this writing, only has 22 votes on IMDb.

★★
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