... aka: Silent Night, Deadly Night 3
Directed by:
Monte Hellman
SILENT NIGHT, DEADLY NIGHT (1984) was a routine slasher flick whose chief novelty was having
its axe-slinging psycho killer decked out in Santa garb. The inept first
follow-up, SILENT NIGHT, DEADLY NIGHT PART 2 (1987), followed the exploits of
Ricky, the brother of the original film's killer, who also eventually found a
Santa suit to wear after escaping a mental institution. At the end of Part 2,
Billy was blasted with a shotgun right after decapitating a nun. This entry
picks up right where that one left off. Scanning the credits, this has a much
higher pedigree than the previous two films, with known actors (headlined by
Robert Culp) and a director who'd previously made the critically acclaimed
sleeper hit Two Lane Backdrop (1971). There's also an interesting link
with later David Lynch film, with cast members Richard Beymer, Eric
DaRe and Laura Harring all on board. Beymer and DaRe (the son of Aldo
Ray and casting agent Johanna Ray) both had recurring roles on Lynch's
short-lived Twin Peaks (1990-91) series, while the sexy Harring (who
became the very first Latina to win Miss USA crown in 1985) later snagged the
lead role in Lynch's acclaimed, award-winning Mulholland Dr. (2001). But
is any of that enough to lift this above the ordinary? Sadly, not really.
Despite being shot in the head (though he's actually shown being shot in
the chest in Part 2), Ricky Caldwell (Bill Moseley) is still alive, but
in a comatose state in some hospital. Apparently because the top of his head got
blow off by the shotgun blast and his brain was "surgically reconstructed," he's
now outfitted in some ridiculous head contraption / skull cap made of metal and
glass which you can see his brain through! Dream researcher Dr. Newbury (Beymer)
is conducting some sort of experiment using Ricky and Laura Anderson (Samantha
Scully); a young, blind woman with psychic abilities who recently lost both
of her parents in a plane crash. The doctor is hoping to establish a telephathic
link between the two so that Laura can possibly communicate with him, though
after she starts seeing what's in Ricky's mind (insert flashbacks from the first
Silent Night), she's ready to abandon the project all together. Newbury
gives her a few days over the holiday to mull it over. Laura, her brother Chris
(DaRe, rocking a truly hideous 80s hair band curly'do) and his new girlfriend Jerri (Harring, who eventually has a topless scene in a bathtub)
then head off toward Granny's (Elizabeth Hoffman) house for Christmas
dinner.
Immediately after Laura leaves, Ricky awakens, kills a bitchy old
receptionist and a drunk guy dressed up as Santa ("Hey vegetable, who's your
favorite singer? Perry Coma?"), then just walks right out of the hospital door.
Despite being dressed in a hospital gown and having his brain exposed for all to
see (!), Ricky somehow successfully manages to hitch a ride from a trucker who
asks, "What happened to you, man? Did you get a hair transplant?" Ricky kills
him, steals his truck, decapitates a gas station attendant who's in the middle
of having phone sex and then beats the others to Granny's house and kills her.
When Laura, Chris and Jerri show up, it's their turn. The idea that he's set off
by the color red (on a sweater, a wrapped present, a car...) is carried over
from Part 2. While all that's going on, wisecracker Lt. Connelly (Culp), one of
the cops who originally put Ricky out of commission, shows up to investigate,
and he and Dr. Newbury make a mad dash for Granny's house to try to save Laura
and company. Well, not so mad they don't have time to pull over the car to take
a leak mid-trip!
This actually opens very strongly, with a well-done nightmare sequence
featuring Laura running through all-white corridors and rooms and encountering
both Ricky and a killer Santa Claus. The psychic connection angle is a fairly
interesting departure from the traditional slash-n-hack format of the previous
entries. This is also, technically-speaking, better-made, better-acted and more
ambitious than the first two films in this series... but
there's just something that feels off about the whole thing. Some of the
dialogue and various silly scenes, albeit sometimes amusing, hint that the
filmmakers aren't really taking much of this seriously, though there's still
this dark, dreary cloud lingering over the entire film, anyway. It's a combination
that's perhaps a little different from the norm, but it's so awkward and clumsy
it doesn't work.
Slasher fans are
also going to be disappointed that's there's almost no gore and nearly every
single murder takes place off-screen.
As an inside joke, Hellman has Roger Corman's public domain cheapie The
Terror (1963), which he served as 2nd Unit Director on, playing on several
TV sets throughout the film. His daughter, Melissa Hellman, plays
Beymer's assistant and Leonard Mann, an American actor who usually appeared in
Italian productions, has one scene as Laura's shrink. Lion's Gate released a box
set containing this, Silent Night, Deadly Night 4: Initiation (1990) and
Silent Night, Deadly Night 5: The Toymaker (1991) earlier this month.
★★
4 comments:
Hated this with a fiery passion the first time I saw it, finding it mind-numbingly dull, stupid, and plodding.
But this review has made me consider giving it a rewatch...
I also saw it a long time ago and hated it, so I was dreading watching it over again. I can say I appreciated it a LITTLE more on the second view, though it's not a great (or even good) film. Certainly interesting in spots, though.
I just watched this the other night. I was trying to explain to my wife how it is not quite good but not necessarily bad. It is frustrating to really rate because it doesn't quite ever take off. After it was over, I felt like it just doesn't have anything that leaves it fulfilling. It doesn't have anything totally trashy or over the top even if Moseley has that dome top to cover his brain, Hellman isn't in the mood to go crazy. I guess we don't necessarily need that but after the first two films it was probably expected by fans. Hellman maybe wasn't the right director for this kind of series. Full was a welcome presence.
Best I can describe this is "awkward." You're right. It's neither good nor flagrantly bad, which oddly makes it less interesting / entertaining than most of the others in this series despite technically being better-made.
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