Todd Sheets
There are times when we can only point, laugh and be glad that we were not personally involved...
In 1987, David DeCoteau directed SORORITY BABES IN THE SLIMEBALL BOWL-O-RAMA, an intentionally cheesy horror-comedy about sorority girls and nerds facing off against an evil wish-granting imp in a bowling alley. Though not what most would consider a genre classic, it went on to a small cult following thanks primarily to its memorable title plus the fact it was a reasonably fun B-movie with enthusiastic actors, lots of nudity, lots of bad jokes, a cheesy-looking monster and pretty solid production values. Though not a film exactly clamoring for a sequel, DeCoteau himself made Nightmare Sisters (1988), another college horror-comedy (reportedly shot in just 4 days) which was also heavy on the T&A and featured the same three female stars, as a companion piece. He should have just stopped right there. Unfortunately, he did not and decided to throw a little money at Kansas City filmmaker Todd Sheets so he could make this unofficial "sequel." While the budget of Slimeball was a modest but sufficient 90 thousand dollars (enough to afford professional film equipment), I'd be surprised if the budget of this one exceeded 90 dollars (enough to purchase blank VHS tapes to feed into the camcorder it was shot with; they certainly didn't spend it on light bulbs!)
Who owns these breasts and why aren't they in the movie?
Our leads are a bunch of zero talent gargoyles with fried hair, dumpy bodies and the ugliest clothes the 80s had to offer who decide to open their own sorority house after being rejected from "The Felta Deltas." They paint, clean, dance, play Twister and pinball and talk about throwing a housewarming party for the opening of their new house. Suddenly, something strange and unusual happens... and I'm not talking about the incident during a séance where a crystal ball spits out smoke that knocks all of the girls unconscious. I'm talking about the fact the director completely forgets about the plot he just set up. Without warning, the girls all suddenly become sorority pledges still trying to get into that snobby house with no mention of the sorority house they'd just opened. Let that sink in for a second. It's almost seems as if this was all just made up as they go along. Probably because it was.
After the smoke clears, so to speak, one of the girls becomes "sexy" and starts acting weird. As part of an initiation rite, five of the girls are forced to go spend the night in a reputedly haunted building where possessed girl pulls out her eyeballs and then puts them back in and then kills a couple of guys who happen to be there admiring the girls' "garbonzas." Characters walk around the building in scenes that never seem to end and are so poorly lit you can't tell what's even going on. The possessed girl then chases the survivors back into town to a bar and the elderly couple who accidentally sold them the crystal ball show up to perform a lame exorcism. The old guy also informs them that the crystal had previously been used by a witch who "conjured up an exorcism" (?!) with it. Say whaaa? There's no blood, no gore, no nudity, no special effects and no entertainment value to speak of to any of this except to laugh at how cheap and amateurish the whole thing is. Most disappointingly, there's not even a damn "Dance-A-Thon" like the title promises!
The best part of this movie happens when the whole thing is over and the hilariously obnoxious end credits roll. There's a special "No Thanks" to "the K.C. Film Commission," "the close-minded folks here in K.C." and "anyone who thinks we make porno films." And then a "Big Rot in Hell" section for "Jack Valenti and the Nazi lovers at the M.P.A.A., all fat, lying abusive ministers who accuse us of being porno makers." The filmmakers then instruct Trekkies to "get a life" (?!) and that is followed by what is pretty much an insult to anyone who just wasted their time viewing this worthless tape: "Turn the damned thing off... don't you have any better things to do?" Yeah, says the guy who tried to make "The biggest, boobiest bimbo-fest of them all" and failed miserably at it.
This is also a rarity in that the the original VHS distributed by Video Outlaw is of much better quality - relatively speaking, of course - than the nth generation dupes used for the DVD distributed by Pendulum Pictures. See what I mean...
DVD
VHS
DVD
VHS
Ha, fooled you... VHS again.
Oh, screw you, Pendulum Pictures.
And just because I couldn't really get any decent screen shots from the DVD release, here are a few more from the tape...
Now back over to that playground for trolls and purveyor of false movie info that calls itself IMDb. Their "technical specs" section for this title currently claims...
35mm? 35mm!? Ha! I doubt Sheets has ever even touched 35mm film stock, let alone used it. This also doesn't run 75 minutes as they (and the video box) claim, but just 69 and that's including the very slow-moving end credits.
NO STARS!
Wow, you know you spent way more time on this than it looked like it deserved. If this would have been me, I would have dropped a minor user comment and be done with it, haha.
ReplyDeleteI like to treat all of my children the same, even the retarded ones. :P
ReplyDeletetodd sheets is one of those guys who always makes me think "awww, ain't he cute? he's trying to be just like daddy!"
ReplyDeleteTodd was making movies at the age of 14. At least he tried. He gave a lot of people a start. Have you seen his new stuff? Check out his vimeo. Still making films on micro budget. After his heart attack he came out of retirement.
ReplyDeleteThis is only the second movie of his I've seen. The other was 'Dead Things' (from 1997, not the 1986 one listed on IMDb) which was pretty bad but far more entertaining. I also have copies of Bimbos B.C. and Zombie Rampage I'm gonna watch here soon.
ReplyDeletei feel terrible about the cheap joke i made up-thread BUT -- and i realize not many people will need this warning -- _never_ ever watch NIGHTMARE ASYLUM (1992), a front-runner for my worst viewing of the year. how is it i have 20+ possibles already? why do i do this to myself?
ReplyDeleteLooks like Asylum is from 1992 so I don't have to watch it for the blog. Woot!
ReplyDeleteYour comment just reminded me that I still have Bimbos B.C. and Zombie Rampage and still haven't watched them yet. Guess I haven't been in the mood. Yeah that's it! I will probably watch Bonehill Road and the upcoming Clownado eventually due to the Linnea factor. I think he also managed to get Dyanne 'Ilsa' Thorne into one of his other movies.
my first sheets was ZOMBIE BLOODBATH (1993), so empty and repetitive it took me seven years to think about trying another: ZOMBIE RAMPAGE. i blocked that one out. despite the post-apoc setting, BIMBOS B.C. will likely be very DANCE-A-THONish. many of the same people and locations. i only know the first sequel, PREHISTORIC BIMBOS IN ARMAGEDDON CITY. ugh.
ReplyDeleteBimbos B.C. has an even lower IMDb rating than Prehistoric Bimbos, but I guess 1.5 and 1.7 is splitting hairs. Sorority Babes has a whopping 2.1 so if it's actually better then I'm in trouble!
ReplyDeleteWell, whatta ya know. Here I am finally with my Bimbos B.C. review... in the middle of 2022. That means my Zombie Rampage review will probably be ready around 2030.
ReplyDeletei'll forget this speck of ZOMBIE RAMPAGE trivia by then, so here it is now: the cleaved-face box art is actually a still from THE DEAD NEXT DOOR. j.r. bookwalter was tight with decoteau at the time and did all (?) the CHV covers.
ReplyDelete