... aka: Stephen King's The Woman in the Room
Directed by:
Frank Darabont
Frank Darabont is now a big name in Hollywood and it's extremely fitting that
this is where it all began. Not only is Woman the first of many
adaptations of writer Stephen King's work the director would become best known
for, but it also sets down the familiar tone for much of his later
films. It's very sensitive and emotional, deals strongly with moral issues and
even has scenes set at a prison. A few years later, Darabont began writing or
co-writing commercial genre films, such as the hit sequel A Nightmare on Elm
Street 3: Freddy's Revenge (1987) and the entertaining remake of The Blob
(1988). In 1990, he'd make his feature directorial debut with the (very good)
thriller Buried Alive (1990), which starred Jennifer Jason Leigh and
debuted on cable TV. Over a decade after crafting this initial short subject, he finally hit the big
time with the King adaptation The Shawshank Redemption (1994); a prison
drama that earned seven Oscar nominations, including one for Best Picture and two for Darabont (Best Director and Adapted Screenplay). It would go on to become one of the
most popular and beloved films of all time. Five years later, he tried to
recapture some of that Shawshank magic again with The Green Mile
(1999); another tearjerker with a prison setting based on a King novel. Audiences and
critics responded favorably to it as well, and it was awarded four Oscar nods,
including another Best Picture nomination. Darabont's fourth King film; The Mist (2007), an actual horror film,
was moderately successful but didn't receive the same accolades thanks (at
least partially) to
an extremely downbeat, polarizing ending that was altered from the novel. From there, Darabont moved
on the TV series The Walking Dead (2010 - ); both writing and producing the first (and easily
the strongest) season of the massively popular cable zombie drama.
Made while Darabont was in his early 20s (he'd personally written King and
gotten permission to film it for just one dollar), Woman runs 30
minutes, is quite low key and quiet and is essentially a pro-euthanasia
drama. Middle-aged lawyer John Elliott (Michael Cornelison) is at a
loss as to what to do with his frail, widowed mother, Donna (Dee
Croxton). In a hospital dying of abdominal cancer, Donna has recently
had cordotomy surgery that was supposed to alleviate all of her pain. She
claims it hasn't. John, a put-upon son whose brother clearly isn't going
to be of any help, is entertaining the idea of putting mom out of her
misery and has been eyeing some powerful pain pills in his medicine
cabinet. He keeps taking them to the hospital, but doesn't have the
courage to actually give them to her. John has recently been assigned the
case of a prisoner / Vietnam vet (Brian Libby), who's likely going
to be executed for murder, and tries to find out through him what it feels
like to kill someone before he makes his final decision. This is a
well-done and affecting little short with good writing, camerawork (by
Juan Ruiz Anchia, who'd move on to bigger things) and
acting, but horror fans should take note that it's primarily a drama.
The one moment of horror is an effective nightmare sequence set in a
hospital corridor and elevator.
King has gone on record stating this is "clearly the best" of all the student /
independent "dollar babies" based on his works. From what
I've seen thus far, I'm apt to agree with him. It even
ended up on the semi-finalist list for Oscar consideration in 1983. Woman
(which was shot on 35mm for 35,000 dollars) was first
issued to the masses as one half of the video Stephen King's Night
Shift Collection in 1986, where it was paired with Jeff Schiro's
The Boogeyman (1982). Both were based on stories in King's "Night
Shift" anthology. Woman was also issued separately on its own
by the label Interglobal Home Video. John Woodward's Disciples of the Crow (1983;
based on King's story "Children of the Corn") and John Garrett's Emmy
Award winning The Night Waiter (1987; which is not based on
anything King wrote), were the featured tales in the follow-up Stephen
King's Night Shift Collection II (1989).
★★★
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